{"title":"Violin Accessories","description":"","products":[{"product_id":"mabsa-rosins","title":"Mabsa Rosins","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eMabsa Rosin\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eThree formulas.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eOne for every player.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eHandcrafted rosin in three distinct grades: Soloist for projection, Warm for richness, and Honey for players who need a gentler option.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eSmall-batch rosin with real choices.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eMabsa Rosin is made slowly, cooled in plaster moulds to ensure an even, consistent cake. Each formula has been refined over years of use rather than redesigned from scratch. The three grades give you a real choice based on what you actually want from your bow: more grip and projection with Soloist, a warmer fuller sound with Gold, or a gentler response with Honey if you are sensitive to conventional rosin formulas.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eMabsa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoloist (Dark Green)\u003c\/td\u003e\n\u003ctd\u003eFirm grip, bright projection, strong articulation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGold (Warm)\u003c\/td\u003e\n\u003ctd\u003eFull-bodied, warm resonance, expressive tone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHoney (Allergy-Friendly)\u003c\/td\u003e\n\u003ctd\u003eNatural ingredients, hypoallergenic formula\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eProduction method\u003c\/td\u003e\n\u003ctd\u003eHandcrafted, slow-cooled in plaster moulds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin, viola, cello\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eChoose your character.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eSoloist delivers a focused, projecting sound with crisp articulation, well-suited to solo playing and passages that demand definition. Gold is fuller and rounder, emphasising the mid and lower harmonics for a warm orchestral blend. Honey is the gentlest of the three: a clean grip without the brightness of Soloist, designed for players who need a more comfortable option.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply with slow, even strokes along the full length of the bow hair. A light coat is more effective than heavy application.\u003c\/li\u003e\n\u003cli\u003eNew bow hair benefits from several coats across the first few sessions before it grips consistently.\u003c\/li\u003e\n\u003cli\u003eWipe rosin dust from strings and the instrument top after each session to maintain tone clarity.\u003c\/li\u003e\n\u003cli\u003eIf switching formulas, clean the bow hair thoroughly first. Mixing rosins can produce uneven results.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore the cake in a cool, dry location away from direct sunlight. The slow-cooled casting means the cake is dense and durable, but sharp knocks can still crack it. Keep it in its case between sessions. Avoid leaving it in a hot car or instrument case in direct sun, as heat will soften any rosin formula over time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat is the difference between the three grades?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eSoloist gives you more grip and projection, ideal for soloists and technically demanding passages. Gold produces a warmer, fuller tone suited to ensemble and orchestral playing. Honey uses natural ingredients and is designed for players who experience irritation with standard rosin formulas.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eIs Honey rosin colophony-free?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eHoney rosin is formulated with natural ingredients and is designed to be gentler on sensitive players. If you have a known colophony allergy, check with us about the specific formulation before purchasing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA few light strokes before each playing session is usually enough. If the bow feels slippery or unresponsive, apply a little more. Avoid heavy application, which produces a cloudy, over-saturated sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin is stable for many years when stored properly. If the cake becomes glassy or brittle and produces no powder on the bow, it is time to replace it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Mabsa","offers":[{"title":"Dark Green","offer_id":45168431530151,"sku":"8809728030021","price":65.0,"currency_code":"NZD","in_stock":true},{"title":"Gold","offer_id":45168431562919,"sku":"8809728030021","price":65.0,"currency_code":"NZD","in_stock":true},{"title":"Honey","offer_id":45168431595687,"sku":"8809728030021","price":65.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/KakaoTalk_Photo_2024-04-17-00-38-28003.jpg?v=1713787636"},{"product_id":"pirastro-evah-pirazzi-rosin","title":"Pirastro Oliv Rosin","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003ePirastro Rosin\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eBuilt for gut strings.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eWarm grip, low dust.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eA soft, dark rosin with big tone and minimal rosin dust. The natural choice for players using gut or gut-core strings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eA classic rosin, made for gut.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003ePirastro Oliv Rosin is formulated to pair with gut and gut-core strings like the Oliv set it takes its name from. Its soft, dark composition grips the string cleanly without generating excess dust, and the resulting tone is full and warm rather than bright or edgy. If your instrument is strung with gut or you prefer a rounder, more natural sound, this rosin delivers that without friction.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003ePirastro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSKU\u003c\/td\u003e\n\u003ctd\u003e86210\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHardness\u003c\/td\u003e\n\u003ctd\u003eSoft\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColour\u003c\/td\u003e\n\u003ctd\u003eDark olive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDust level\u003c\/td\u003e\n\u003ctd\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eString compatibility\u003c\/td\u003e\n\u003ctd\u003eGut and gut-core strings; suits Oliv, Eudoxa, Chorda\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eWarm, full, and quiet.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003ePirastro Oliv Rosin produces a broad, resonant sound with generous grip and almost no noise. It emphasises the lower harmonics of the string, which suits chamber and orchestral playing where blend matters more than projection. The low dust output means your instrument and strings stay cleaner between sessions.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply lightly to the full length of the bow hair before playing, using slow strokes rather than heavy pressing.\u003c\/li\u003e\n\u003cli\u003eNew bow hair needs several coats to build up an even layer before it grips well. Take your time the first few sessions.\u003c\/li\u003e\n\u003cli\u003eThis is a soft rosin, so a light touch is enough. Too much application causes a cloudy, sluggish bow response.\u003c\/li\u003e\n\u003cli\u003eWipe rosin dust from the strings and body of the instrument after each session to prevent build-up.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore the rosin in its original cloth wrapper in a cool, dry place away from direct sunlight. Because it is a soft rosin, it is more sensitive to heat than harder types and can soften or crack if left in a warm case in direct sun. Handle the cake by the cloth rather than touching the rosin surface directly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eFor regular playing, a few light strokes before each session is usually enough. If the bow starts to slip or feel unresponsive, apply a little more. Avoid over-applying, which causes a powdery, buzzy sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin does not expire in the way that food does, but it can dry out and become brittle over years. A cake that is well stored and used regularly can last several years. If it looks glassy and no longer produces any powder when bowed, it is past its best.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan rosin cause an allergic reaction?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eSome players are sensitive to colophony, the tree-resin base used in most rosin. Symptoms can include skin irritation or respiratory discomfort. If you suspect a sensitivity, look for a hypoallergenic alternative such as the Mabsa Honey rosin.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eIs this rosin only for violin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003ePirastro Oliv Rosin is suitable for violin and viola. Its soft formula is particularly well matched to gut-strung instruments of both sizes.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Default Title","offer_id":45215562334375,"sku":"86210","price":30.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/Pirastro_Rosin_OlivEvah.jpg?v=1737206626"},{"product_id":"pirastro-korfkerrest-for-violin","title":"Pirastro KorfkerRest Violin","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003ePirastro KorfkerRest\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eThe world's lightest shoulder rest.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eBendable maple, free sound.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eA shoulder rest built from high-quality maple tone wood, bent and fitted to your shoulder shape. At 32 grams for violin, it lets the instrument resonate more freely than any conventional rest or cushion.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eA shoulder rest that thinks acoustically.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe Pirastro KorfkerRest is a premium shoulder rest designed from the ground up to minimise acoustic damping. The bridge is crafted from high-quality maple tone wood made bendable through a mechanical process that preserves its acoustic properties, so the player can shape it precisely to their shoulder contour. Legs are forged from hardened aluminium alloy for stability at minimal weight. The feet contact the violin only at the very edge outside the purfling, and the special polyamide and minimal rubber composition reduces damping by 40 percent compared to standard models. The ErgoPack (included in Model 2) allows even more precise fitting, and upgraded rubber pads improve comfort. Four replacement pads are included.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003ePirastro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eKorfkerRest (Model 2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBridge material\u003c\/td\u003e\n\u003ctd\u003eBendable high-quality maple tone wood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLeg material\u003c\/td\u003e\n\u003ctd\u003eHardened aluminium alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (violin)\u003c\/td\u003e\n\u003ctd\u003e32 grams\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAdjustment\u003c\/td\u003e\n\u003ctd\u003ePosition, height, tilt; ErgoPack included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReplacement pads\u003c\/td\u003e\n\u003ctd\u003e4 included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin (4\/4)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eComfort profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eShaped to your shoulder, not the other way around.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe bendable maple bridge means you can adapt the rest to the exact curve of your shoulder and collar rather than padding around a fixed shape. The extensive adjustment options for position, height, and tilt allow precise ergonomic personalisation. Because the rest makes minimal contact with the instrument body and uses sound-neutral materials, players consistently report a wider dynamic range and richer articulation compared to their previous rest.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eFitting and adjusting.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eAttach the feet to the instrument at the edge outside the purfling. The grip feet hold securely without slipping during playing.\u003c\/li\u003e\n\u003cli\u003eBend the maple bridge gradually to match your shoulder shape. The mechanical process used to make it bendable means it holds its shape once set.\u003c\/li\u003e\n\u003cli\u003eUse the leg adjustments to set height and tilt to your preferred playing position.\u003c\/li\u003e\n\u003cli\u003eThe ErgoPack (included) enables additional fine-tuning for position and individual fit.\u003c\/li\u003e\n\u003cli\u003eConsult the instruction manual before fitting. The KorfkerRest rewards careful initial setup.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eLooking after the maple and hardware.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eWipe the maple bridge with a dry cloth; avoid liquid cleaners that could affect the wood or varnish. The aluminium legs require no maintenance. Replace the rubber pads (four spares included) when they show wear. Store the rest in its case or attached to the instrument; the grip feet hold reliably in transport. Avoid leaving the rest in direct sunlight or extreme heat for extended periods.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat violin sizes does this fit?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe KorfkerRest Violin is designed for 4\/4 violin. The adjustable feet accommodate standard full-size instrument proportions.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow much adjustment does it offer?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eQuite a lot. You can adjust the position of the rest along the shoulder, the height of the legs, and the tilt angle. The ErgoPack included with Model 2 adds further fine-tuning options for individual fit. The bendable maple bridge is a separate, permanent adjustment to match the shape of your shoulder.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eIs the maple hypoallergenic or safe for players with material sensitivities?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe KorfkerRest uses high-quality maple tone wood with a sound-neutral varnish and minimal rubber contact. Players with rubber sensitivities will find significantly less rubber contact here than on conventional rests. If you have specific material allergies, check the full materials list before purchasing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow do I care for the rubber pads?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eWipe pads clean with a dry cloth. When the rubber loses its grip or shows wear, swap in one of the four replacement pads included in the box. Replacement pads are also available separately.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Violin","offer_id":45215609716903,"sku":"","price":650.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/1_Schaubild_Rest-d529deed0b9faf381223f7daaa645b42.jpg?v=1737206655"},{"product_id":"pirastro-korfkerrest-luna-for-violin","title":"Pirastro KorfkerRest LUNA Violin","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003ePirastro KorfkerRest LUNA\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eFeatherlight, click-fit.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eInstant comfort, free sound.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eThe KorfkerRest LUNA at 32 grams: a sound-optimised compound shoulder rest with a simple click-adjustment system. Fits violins from 3\/4 to 4\/4 and folds flat for storage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eThe KorfkerRest line, more accessible.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe Pirastro KorfkerRest LUNA brings the acoustic priorities of the KorfkerRest line into a more approachable package. The body is made from a custom compound formulated to deliver outstanding freedom and integrity of sound, and the click-system allows quick, secure size adjustment between 3\/4 and 4\/4 violin without tools. At 32 grams, it is featherlight. The rest folds into an ultra-compact shape for storage, and trusted rubber feet with comfortable foam pads keep it stable during playing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003ePirastro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eKorfkerRest LUNA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eCustom acoustic compound\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e32 grams\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAdjustment\u003c\/td\u003e\n\u003ctd\u003eClick-system, no tools required\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eViolin fit\u003c\/td\u003e\n\u003ctd\u003e3\/4 to 4\/4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStorage\u003c\/td\u003e\n\u003ctd\u003eFolds to ultra-compact shape\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSKU\u003c\/td\u003e\n\u003ctd\u003e4016710162873\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eComfort profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eLight contact, full stability.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe LUNA's ergonomic shape is designed to feel immediately comfortable without a long break-in period. The rubber feet grip the instrument securely, and the foam pads distribute pressure comfortably against the shoulder. The click adjustment makes it straightforward to switch between 3\/4 and 4\/4 instruments, which is useful for teachers, parents of students who are progressing between sizes, or players with multiple instruments.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eFitting and adjusting.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eUse the click-system to set the appropriate width for your instrument before attaching. No tools required.\u003c\/li\u003e\n\u003cli\u003ePlace the feet on the lower bout of the violin, outside the purfling. The rubber feet grip securely.\u003c\/li\u003e\n\u003cli\u003eAdjust the position along your shoulder for the angle and height that suits your playing position.\u003c\/li\u003e\n\u003cli\u003eFold the rest flat for storage when not in use. It is compact enough to sit alongside the instrument in most cases.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eEasy to maintain.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eWipe the body and feet with a dry cloth to remove perspiration or rosin dust. The rubber feet maintain their grip well but can be replaced if they wear out. Store folded in your instrument case. Avoid prolonged exposure to direct heat, which can affect the rubber feet over time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat violin sizes does this fit?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe KorfkerRest LUNA fits violins from 3\/4 to 4\/4. The click-system adjusts to accommodate both sizes without tools.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow does the click-system adjustment work?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe legs have a click-stop mechanism that allows you to set the width to match your violin size quickly and securely. Once clicked into position, the rest holds firmly during playing. There are no loose screws or separate tools needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eIs the LUNA suitable for players with material sensitivities?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe LUNA uses a custom acoustic compound and standard rubber feet. Players with known rubber contact sensitivities should check the specific materials before purchasing. The KorfkerRest line as a whole is designed to minimise rubber contact with the instrument compared to conventional rests.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow does the LUNA compare to the standard KorfkerRest?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe standard KorfkerRest uses a bendable maple tone-wood bridge that you shape to your shoulder, offering the highest degree of personalisation and the most acoustically inert construction. The LUNA uses a fixed-shape acoustic compound body with a simpler click-size adjustment. Both share the same commitment to minimal damping and free sound, but the LUNA is quicker to set up and easier to adjust between instruments.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Violin","offer_id":45215610372263,"sku":"4016710162873","price":490.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/pir_KorfkerRest-LUNA_persp_485x355_8271c6e5-20f9-47ae-81c6-57c22111a006.png?v=1737206687"},{"product_id":"gewa-tourte-violin-shape-violin-mute","title":"Bech Magnetic Mute for Violin and Viola","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eBech Magnetic Mute\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eStays put on the bridge.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eMagnetic, clean, silent.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eAn orchestral-style mute that attaches to the bridge and parks magnetically against the tailpiece when not in use. No more fumbling between movements.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eA mute that solves the parking problem.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe Bech Magnetic Mute uses a coated steel clip on the tailpiece and a magnet built into the mute body. When you are not muting, the mute slides off the bridge and snaps to the clip magnetically, sitting flush against the tailpiece without rattling or affecting playability. The high-tech rubber is engineered to fit the bridge firmly with no vibration noise, and the rounded inner edge reduces rosin contamination between the bridge and the mute. Available for violin and viola.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eBech\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMute type\u003c\/td\u003e\n\u003ctd\u003eOrchestral (con sordino)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAttachment\u003c\/td\u003e\n\u003ctd\u003eMagnetic clip system on tailpiece\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eHigh-tech engineered rubber with coated steel clip\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBridge contact\u003c\/td\u003e\n\u003ctd\u003eRounded inner edge, reduced rosin contamination\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin and viola\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eMuted, not muffled.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe Bech mute reduces volume and softens the upper partials as a standard orchestral mute does, but the acoustic rubber compound is designed to let the instrument's voice continue to resonate through the mute material rather than killing it entirely. The result is the veiled, intimate tone called for in con sordino passages, without the flat, deadened quality that harder or heavier mutes can produce.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eInstalling and using the magnetic system.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eBend the coated steel clip until it sits securely on the tailpiece, with the magnetic target facing the bridge.\u003c\/li\u003e\n\u003cli\u003eTo mute, slide the mute onto the bridge from the tailpiece side, with the magnet facing the tailpiece. It seats like a standard mute.\u003c\/li\u003e\n\u003cli\u003eTo unmute, slide the mute back toward the tailpiece. The magnet finds the clip and holds the mute firmly out of the way.\u003c\/li\u003e\n\u003cli\u003eInstructions with diagrams are included in the packet. Consult a luthier if you have any questions about fitting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it clean and responsive.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eWipe the rubber surfaces occasionally with a dry cloth to remove rosin dust. The engineered rubber maintains its flexibility over time, but avoid leaving the mute compressed onto the bridge for extended periods when not in use. The magnetic clip requires no maintenance; check that it remains firmly secured to the tailpiece before each use.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhen should I use this mute?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eUse it when the score says \"con sordino\" or when a conductor asks for muted playing. It is an orchestral-style mute, designed for the gentler muted tone used in performance rather than for quiet practice at home.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat does a mute actually do to the sound?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA mute clamps onto the bridge and reduces its vibration. This softens the volume and filters out some of the upper harmonics, producing a softer, more veiled tone. This mute is not a practice mute: it softens the sound, but does not reduce it to the near-silence a heavy practice mute provides.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan this mute damage the bridge?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe rounded inner edge and engineered rubber are specifically designed to prevent bridge damage and string abrasion. Avoid leaving any mute clamped tightly on the bridge for long periods when not playing, as sustained pressure on the bridge is best avoided regardless of mute type.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow do I clean the mute?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eWipe it with a dry or slightly damp cloth. Avoid solvents, which can degrade the rubber. The coated steel clip can be wiped dry if needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Bech","offers":[{"title":"Default Title","offer_id":45419639341223,"sku":"","price":30.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/46422cdf2bcfaaf04492008da88158a0_800x_83dcea45-88d5-4c00-bf78-24339750faf0.webp?v=1719929455"},{"product_id":"gewa-tourte-round-shape-violin-mute","title":"Gewa Tourte Round Shape Violin Mute","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eGEWA Tourte Mute\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eRound shape, con sordino ready.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eSimple rubber, always reliable.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eThe GEWA Tourte Round Shape: a two-prong rubber orchestral mute that straddles the A and D strings over the bridge. Parks on the strings near the tailpiece between uses.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eThe classic round Tourte, from GEWA.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe GEWA Tourte Round Shape is the disc-profile version of the classic rubber orchestral mute. Its two prongs straddle the A and D strings on the bridge when you need con sordino tone, and slide back to park on the strings near the tailpiece when not in use. It is one of the most familiar mutes in string playing, valued for its simplicity, availability, and reliable fit across standard violin bridge dimensions.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eGEWA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eTourte Round Shape\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMute type\u003c\/td\u003e\n\u003ctd\u003eOrchestral (con sordino)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eRubber\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMounting strings\u003c\/td\u003e\n\u003ctd\u003eA and D strings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eSoft, veiled, orchestral.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe round Tourte clamps the bridge, reducing vibration transmission and producing the warm, hushed tone associated with con sordino passages in orchestral and chamber repertoire. The volume reduction is moderate rather than dramatic. It is an orchestral mute for performance use, not a substitute for a heavy practice mute.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eOn, off, and parked.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eSlide the mute along the strings from its resting position toward the bridge until the prongs grip the A and D strings over the bridge top.\u003c\/li\u003e\n\u003cli\u003eTo remove, slide back along the strings toward the tailpiece. The mute parks there without falling off.\u003c\/li\u003e\n\u003cli\u003eThe round disc profile seats firmly on the bridge and is easy to feel by touch during a quick on\/off change in performance.\u003c\/li\u003e\n\u003cli\u003eKeep the mute on the strings whenever the instrument is out of the case, for instant access.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eNothing complicated.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eWipe with a dry cloth to remove rosin build-up. Rubber mutes are durable, but the material hardens over many years of use. If the mute no longer grips the strings firmly, replace it. No case is required; it stores on the strings or in your instrument case.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhen should I use this mute?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eUse it for con sordino passages in performance and rehearsal, when the score or conductor asks for muted playing. It is an orchestral mute, not a practice mute: it softens the tone but does not reduce volume enough for quiet home practice.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat is the difference between this and a practice mute?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThis orchestral mute produces a moderate, tonally-pleasing reduction for performance use. A practice mute is much heavier and reduces volume dramatically, but changes the tone significantly. Most players keep both and use them for different purposes.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan this mute damage the bridge?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA rubber Tourte mute used normally will not damage a healthy bridge. Avoid leaving it clamped tightly on the bridge for extended periods when the instrument is not being played.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow do I clean the mute?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA dry cloth is sufficient to wipe off rosin dust. Avoid solvents, which can harden or crack rubber over time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Gewa","offers":[{"title":"Default Title","offer_id":45419642388647,"sku":"","price":6.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/952f4d4394d0bbca21d90ee0d21b79d4_512x512_81735381-c693-4871-a935-5ba94ce963f4.webp?v=1715691391"},{"product_id":"artino-rubber-coated-metal-practice-violin-viola-mute","title":"Artino Rubber Coated Metal Practice Mute","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eArtino Practice Mute\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003ePractise quietly, anywhere.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eRubber-coated metal, serious reduction.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eA heavy rubber-coated metal practice mute that dramatically reduces volume for violin and viola. For late-night practice, apartment living, or any situation where you need to be considerate of others.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eA practice mute, not an orchestral mute.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe Artino Rubber Coated Metal Practice Mute is a heavy mute designed for quiet practice rather than for performance. Its metal core provides the mass needed to dramatically reduce volume, while the rubber coating protects the bridge from scratches and absorbs vibration. It fits by squeezing onto the bridge without requiring tools or string removal, and includes a storage case. Available in violin\/viola and cello sizes.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eArtino\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMute type\u003c\/td\u003e\n\u003ctd\u003ePractice (significant volume reduction)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eMetal core with rubber coating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eVolume reduction\u003c\/td\u003e\n\u003ctd\u003eApproximately 70%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIncludes\u003c\/td\u003e\n\u003ctd\u003eStorage case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\/viola (and cello variant available)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eQuiet, not concert-ready.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003ePractice mutes of this type reduce volume by around 70 percent and significantly alter the tonal character. The sound becomes noticeably thinner and less resonant than the unmuted instrument. This is expected and normal: the purpose of a heavy practice mute is volume reduction, not tonal preservation. It is the right tool when you need to practise technique, intonation, and passage work in a noise-sensitive environment.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eSqueezing onto the bridge.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eSqueeze the mute gently to open it and press it onto the bridge. The rubber coating allows it to grip the bridge securely without tools.\u003c\/li\u003e\n\u003cli\u003eRemove by squeezing and lifting off the bridge. Do not force it or twist it sideways.\u003c\/li\u003e\n\u003cli\u003eStore in the included case when not in use rather than leaving it on the bridge, as the weight of a metal practice mute is best not left on the bridge during rest periods.\u003c\/li\u003e\n\u003cli\u003eThis is not a quick-change mute for use mid-piece. Fit it before you start practising and remove it when finished.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it dry and clean.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eWipe the rubber coating with a dry cloth after use to remove rosin dust. Avoid soaking or using cleaning solvents on the rubber. The storage case protects the mute from knocks in your case. Check periodically that the rubber coating shows no cracks or peeling, which would reduce its bridge-protection properties.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat is the difference between this and an orchestral mute?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eAn orchestral mute (like a rubber Tourte) produces a moderate, tonally-pleasing muted sound for use in performance when the score requires it. A practice mute like this one uses the weight of metal to dramatically reduce volume for quiet home practice. The tone is much more suppressed. They serve completely different purposes.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan I use this mute in a concert or rehearsal?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eNo. A heavy metal practice mute reduces volume so drastically that it is not suitable for performance or orchestral rehearsal. Use an orchestral rubber mute for con sordino passages in performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan this mute damage the bridge?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe rubber coating is specifically designed to protect the bridge surface. Normal fitting and removal will not damage a healthy bridge. Avoid leaving the heavy mute clamped on the bridge for long periods when not practising, as the added weight is unnecessary stress on the bridge feet.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow do I clean the mute?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eWipe with a dry cloth. The rubber coating should not be cleaned with solvents. Store it in the included case to keep it clean between sessions.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Artino","offers":[{"title":"Violin \/ Viola","offer_id":46213761859751,"sku":"50090","price":30.0,"currency_code":"NZD","in_stock":true},{"title":"Cello","offer_id":46213761892519,"sku":"52110","price":33.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/f436df65586848733beffe11597e3196_1400x_0734b5b6-1c0e-401e-8926-9e783c336505.webp?v=1715691485"},{"product_id":"pirastro-string-oil","title":"Pirastro String Oil","description":"\u003cdiv style=\"background-color:#FAF8F4;color:#1F1D1A;font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;max-width:860px;margin:0 auto;padding:48px 24px;line-height:1.65;\"\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv style=\"border-bottom:1px solid #E5DDD0;padding-bottom:48px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eMaintenance • String Care\u003c\/p\u003e\n    \u003ch1 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:48px;font-weight:400;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 12px;line-height:1.15;\"\u003ePirastro \u003cspan style=\"font-style:italic;color:#6E5B3E;\"\u003eString Oil\u003c\/span\u003e\n\u003c\/h1\u003e\n    \u003cp style=\"font-size:18px;color:#6B655C;margin:0 0 24px;max-width:600px;\"\u003eA light oil that extends the life of gut and synthetic strings by conditioning the winding and reducing the build-up of sweat and rosin. Applied at the fingerboard, not the bowing area. 50 ml.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHAT IT IS --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhat It Is\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eProtection for the part of the string that works hardest\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eThe section of string between the fingerboard and the nut absorbs sweat, skin oils, and small amounts of airborne rosin. Over time this residue works into the winding, accelerating corrosion and deadening the string's response. Pirastro String Oil slows this process by creating a light protective layer on the winding that resists moisture and debris.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eThis is not a tone-altering product. It does not make strings sound brighter or warmer. It is purely a longevity tool that keeps strings sounding as they were when new for longer, delaying the gradual deadening that happens through normal use.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eRecommended for gut strings and synthetic-core strings with metal winding, particularly in players who practice frequently or have naturally acidic perspiration.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY SPECS --\u003e\n  \u003cdiv style=\"background-color:#F2EDE4;border-radius:6px;padding:36px 40px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eKey Specs\u003c\/p\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:24px;\"\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eBrand\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003ePirastro (Germany)\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eVolume\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e50 ml\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eSuitable for\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eGut and synthetic strings\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eApplication zone\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eFingerboard area only\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eEffect\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eExtends string life\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003ePrice\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e$36.00 NZD\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHO BENEFITS --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWho Benefits\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eMore useful for some players than others\u003c\/h2\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:28px;\"\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eFrequent players\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eIf you practice two or more hours daily, string oil pays for itself in extended string life.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eGut string users\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eGut strings are especially susceptible to moisture damage. String oil is part of the standard care routine for gut sets.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003ePlayers with acidic sweat\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eSome players corrode strings faster than average. String oil is a practical counter-measure.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- HOW TO USE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eHow to Use\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eA small amount, in the right place\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eApply a tiny drop of oil to a clean cloth and draw it along the string in the fingerboard area from the nut to where the finger positions end. Do not apply oil to the bowing area between the fingerboard and the bridge. Oil on the bowing surface affects the bow hair's grip on the string and will reduce tone quality significantly.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eApply once a week under heavy use or once a month with moderate use. Wipe away any excess after application. The string should feel smooth but not wet or slippery to the touch.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eIf oil accidentally contacts the bowing area, wipe it away immediately with a dry cloth and apply fresh rosin to the bow before playing.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARE + STORAGE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eCare + Storage\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eRoom temperature, cap on\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eKeep the bottle capped and stored at room temperature. Do not expose to heat or direct sunlight. A 50 ml bottle lasts most players a year or more under normal use. Discard if the oil becomes cloudy or develops an odour.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv style=\"border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 24px;\"\u003eFrequently Asked Questions\u003c\/p\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWill string oil change how my strings sound?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eNo. Applied correctly to the fingerboard zone only, it does not affect tone. What it does do is slow the degradation that dulls sound over time. Strings correctly treated with string oil should sound fresh for longer.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eHow often should I apply it?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eOnce a week for players who practice over two hours daily. Once a month is sufficient for more occasional use. No benefit from applying more frequently than needed.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWhat happens if oil gets onto the bowing area?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eThe bow hair will struggle to grip the string, producing a weak or scratchy tone. Wipe the string clean immediately and re-apply rosin to the bow. The effect is temporary once the oil is removed.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eDoes it work on steel core strings?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eSteel core strings are less porous and less vulnerable to moisture damage than gut or synthetic core strings. String oil provides less benefit on steel core and is not usually recommended for them.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eHow much should I apply each time?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eVery little. A single small drop on a cloth is enough for all four strings. The goal is a thin, barely visible film on the winding. More than this does not improve protection and may leave residue that attracts grit.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- IN STORE STRIP --\u003e\n  \u003cdiv style=\"background-color:#6E5B3E;border-radius:6px;padding:36px 40px;margin-top:48px;display:flex;align-items:center;justify-content:space-between;flex-wrap:wrap;gap:16px;\"\u003e\n    \u003cdiv\u003e\n      \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#FAF8F4;opacity:0.75;margin:0 0 6px;\"\u003eIn store\u003c\/p\u003e\n      \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:22px;color:#FAF8F4;margin:0;font-weight:400;\"\u003eAsk us about string care at Symphonia Strings\u003c\/p\u003e\n      \u003cp style=\"font-size:14px;color:#FAF8F4;opacity:0.8;margin:6px 0 0;\"\u003e57-59 Wellington St, Freemans Bay, Auckland\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cspan style=\"font-size:32px;opacity:0.6;\"\u003e🎹\u003c\/span\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Default Title","offer_id":45419669061799,"sku":"91210","price":36.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/pirastro-string-oil-violines-de-luthier.jpg?v=1715691949"},{"product_id":"pirastro-peg-compound","title":"Pirastro Peg Compound","description":"\u003cdiv style=\"background-color:#FAF8F4;color:#1F1D1A;font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;max-width:860px;margin:0 auto;padding:48px 24px;line-height:1.65;\"\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv style=\"border-bottom:1px solid #E5DDD0;padding-bottom:48px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eMaintenance • Peg Care\u003c\/p\u003e\n    \u003ch1 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:48px;font-weight:400;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 12px;line-height:1.15;\"\u003ePirastro \u003cspan style=\"font-style:italic;color:#6E5B3E;\"\u003ePeg Compound\u003c\/span\u003e\n\u003c\/h1\u003e\n    \u003cp style=\"font-size:18px;color:#6B655C;margin:0 0 24px;max-width:600px;\"\u003eFixes pegs that slip or stick. A small amount applied to the peg shank restores the right balance of grip and movement so your instrument stays in tune.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHAT IT IS --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhat It Is\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eThe right friction for smooth, stable pegs\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003ePeg compound is a specialised paste formulated to sit between the peg shank and the pegbox wall. It solves both common peg problems: pegs that slip back and lose tuning, and pegs that are so stiff they cannot be turned smoothly. One small stick of compound addresses both issues by adjusting the friction coefficient of the wood contact.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003ePirastro's formulation is specifically made for bowed string instruments, where the tolerances in the pegbox are small and the wrong product can cause damage. It applies to the peg shank, not the pegbox, and is designed to transfer evenly during use.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eThis is the standard Symphonia workshop recommendation for routine peg maintenance.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY SPECS --\u003e\n  \u003cdiv style=\"background-color:#F2EDE4;border-radius:6px;padding:36px 40px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eKey Specs\u003c\/p\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:24px;\"\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eBrand\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003ePirastro (Germany)\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eSuitable for\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eViolin, viola, cello\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eSolves\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eSlipping or stiff pegs\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eApplication\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eDirect to peg shank\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eFormat\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eSolid stick \/ paste\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003ePrice\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e$21.00 NZD\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHEN TO USE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhen to Use\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eTwo problems, one solution\u003c\/h2\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr;gap:28px;\"\u003e\n      \u003cdiv style=\"background-color:#F2EDE4;border-radius:4px;padding:28px 32px;\"\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eSlipping peg\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eThe string loses pitch during playing or between sessions. The peg turns back under string tension. Apply compound to add grip.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv style=\"background-color:#F2EDE4;border-radius:4px;padding:28px 32px;\"\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eStiff peg\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eThe peg is difficult to turn and requires force, which risks damaging the pegbox. Apply a small amount to smooth the action.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- HOW TO USE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eHow to Use\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eLight application, test, repeat\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eRemove the string and withdraw the peg from the pegbox. Apply a very small amount of compound to the two contact areas on the shank, roughly where the peg touches the pegbox walls. Re-insert the peg, re-string, and test the action before tuning up to pitch.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eIf the peg was slipping, the added grip should hold. If it was stiff, the compound acts as a light lubricant on the dry wood contact. Apply more only if one application is insufficient. A small amount goes a long way.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003ePeg compound is a routine workshop product. If your peg problems persist after applying, the pegbox may need professional fitting rather than additional compound. Ask in store.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARE + STORAGE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eCare + Storage\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eKeep it in your case\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eStore at room temperature away from direct heat. The compound will last many applications. Cap it after use and keep it in your case pocket so it is available at the next string change or whenever seasonal humidity shifts require a peg touch-up.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv style=\"border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 24px;\"\u003eFrequently Asked Questions\u003c\/p\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eHow often should I apply it?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eApply when you notice a problem, typically once at each string change or when seasonal humidity shifts cause pegs to slip or tighten. Do not apply on a schedule if the pegs are working well.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWill it damage the pegbox?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eUsed correctly, no. Apply only to the peg shank at the contact zones, never inside the pegbox itself. Avoid over-application. If significant amounts of compound build up inside the pegbox over many years, a luthier can clean it during a routine setup.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eCan it fix a peg that has gone completely out of fit?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eNo. If a peg is badly fitted or the pegbox has worn or cracked, compound is not the right solution. That needs a luthier to re-fit or replace the peg. Compound works well for seasonal adjustments and light slipping or sticking.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eDoes it work the same for slipping and stiff pegs?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eYes. The formulation balances lubrication and grip so that it reduces excessive friction (stiff) and prevents total slip (slipping). Apply to both contact bands on the shank regardless of which problem you are correcting.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eDoes it work for cello pegs?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eYes. Pirastro Peg Compound is suitable for violin, viola, and cello. Cello pegs are larger and may require slightly more compound than violin pegs to see the same effect.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- IN STORE STRIP --\u003e\n  \u003cdiv style=\"background-color:#6E5B3E;border-radius:6px;padding:36px 40px;margin-top:48px;display:flex;align-items:center;justify-content:space-between;flex-wrap:wrap;gap:16px;\"\u003e\n    \u003cdiv\u003e\n      \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#FAF8F4;opacity:0.75;margin:0 0 6px;\"\u003eNeed a hand?\u003c\/p\u003e\n      \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:22px;color:#FAF8F4;margin:0;font-weight:400;\"\u003eOur workshop can apply and fit at Symphonia Strings\u003c\/p\u003e\n      \u003cp style=\"font-size:14px;color:#FAF8F4;opacity:0.8;margin:6px 0 0;\"\u003e57-59 Wellington St, Freemans Bay, Auckland\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cspan style=\"font-size:32px;opacity:0.6;\"\u003e🔨\u003c\/span\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Default Title","offer_id":45419671322791,"sku":"88910","price":21.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/Pirastro-Peg-Compound-Strings-Bows-More-8117.webp?v=1715692121"},{"product_id":"leatherwood-eco-rosin","title":"Leatherwood Eco Rosin","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eLeatherwood Rosin\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eHandcrafted rosin.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003ePlant-based, low impact.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eMade with plant-based resins and organic ingredients, wrapped in hemp, and housed in a recycled container. Rosin made to be played and returned.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAustralian rosin, made differently.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eLeatherwood Eco Rosin is a small-batch rosin from Australia, formulated from plant-based resins, organic oils and waxes rather than the petroleum-derived additives found in many conventional rosins. The hemp wrapping is SCS-certified recycled material, and the ingredients are vegan and biodegradable. It plays as well as it is made: a clean, precise bite on the string with a resonant, open sound that suits players at any level.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eLeatherwood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormula\u003c\/td\u003e\n\u003ctd\u003ePlant-based resins, organic oils and waxes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWrapping\u003c\/td\u003e\n\u003ctd\u003e100% hemp dew-retted fabric\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eContainer\u003c\/td\u003e\n\u003ctd\u003eSCS certified recycled material\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eVegan\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin, viola, cello\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eClean bite, open resonance.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe Eco formula delivers low to medium traction, which means the bow catches the string cleanly without grabbing. The result is a generous warmth in sustained playing and good clarity in faster passages. It suits a wide range of playing styles, from chamber warmth to solo projection, without favouring any one character too strongly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply lightly with slow, full-length strokes along the bow hair. A thin, even coat is more effective than heavy application.\u003c\/li\u003e\n\u003cli\u003eNew bow hair may need a few sessions to build up an initial layer. Do not rush this stage.\u003c\/li\u003e\n\u003cli\u003eWipe strings and instrument top after each session to remove rosin dust.\u003c\/li\u003e\n\u003cli\u003eBecause the formula is plant-based, it responds well in moderate temperature conditions. Avoid prolonged heat exposure.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore in the recycled container in a dry place at room temperature. The plant-based formula can soften more quickly than synthetic rosins in heat, so keep it out of direct sunlight and away from warm car interiors. The hemp wrap protects the cake from knocks; reuse the container between sessions.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eIs this rosin suitable for players with rosin sensitivities?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe Eco formula uses plant-based resins rather than synthetic additives, which some sensitive players find more tolerable. It does still contain colophony derived from plant sources, so players with a severe colophony allergy should check the full ingredient list or seek a colophony-free option.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA few light strokes before each session is typically enough. The medium traction of this rosin means less is often more. Over-application can produce a fuzzy, dense tone rather than a clean one.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin does not expire quickly, but plant-based formulas can change in texture over several years. Store it properly and use it regularly, and it will last a long time. If it becomes glassy or produces no powder, replace it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eIs this the same as the full Leatherwood Bespoke range?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe Eco is Leatherwood's sustainably-focused formula. The Bespoke range offers additional traction grades (soft, medium, firm) tailored more specifically to individual instrument and bow combinations. The Eco provides excellent all-round performance for most players.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Leatherwood","offers":[{"title":"Default Title","offer_id":45783322689703,"sku":null,"price":55.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/2021-06-0915.16.45_1024x1024_c76e984f-4ced-4702-ae4c-53c4b0e948d1.webp?v=1737206720"},{"product_id":"viowiess-cello-mute","title":"Viowiess Mute Round Shape","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eViowiess Prizma Mute\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eRound shape, pianissimo character.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eTwo-hole, full performance mute.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eThe Prizma disc-style mute in the two-hole Tourte round shape. Designed for live orchestral performance where pianissimo is required. Patented anti-rattle locking design keeps it parked and ready.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAn orchestral mute built for pianissimo.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe Viowiess Round Shape mute uses the classic disc profile with two prongs, designed to straddle the A and D strings of a violin or viola. As part of the Prizma line, it features a patented acoustic resonating mesh inside the body and a multi-colour printed exterior. The two-hole round design delivers greater dampening than the single-hole viol shape, making it the right choice when full pianissimo is called for in live performance. Available in violin\/viola and cello sizes.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eViowiess (Prizma line)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShape\u003c\/td\u003e\n\u003ctd\u003eRound disc (2-hole Tourte style)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMute type\u003c\/td\u003e\n\u003ctd\u003eOrchestral, full pianissimo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocking design\u003c\/td\u003e\n\u003ctd\u003ePatented anti-rattle locking mechanism\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColour\u003c\/td\u003e\n\u003ctd\u003eRandom mixed colours (each piece varies)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\/viola (and cello variant available)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eFull pianissimo, warm body.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe round two-hole design straddles both the A and D strings, giving more contact with the bridge than the single-hole viol shape. This produces a greater volume reduction, suited to full pianissimo passages in orchestral playing. The patented acoustic mesh prevents the tone from becoming flat: even at pianissimo the instrument retains resonance and warmth rather than sounding choked or thin.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eFitting and parking the mute.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eSlide the two prongs over the A and D strings onto the bridge to mute. The disc shape seats evenly across both strings.\u003c\/li\u003e\n\u003cli\u003eTo park, slide toward the tailpiece. The locking mechanism holds the mute on the strings without rattling during playing.\u003c\/li\u003e\n\u003cli\u003eColours are randomly mixed: your mute may differ from product images. Visit us in store to choose a specific colour.\u003c\/li\u003e\n\u003cli\u003eEnsure you select the correct size variant for your instrument when ordering.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eSimple upkeep.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eWipe the surface with a dry cloth to remove rosin dust after playing sessions. The multi-colour Prizma print is durable; avoid abrasive cleaners. Leave the mute parked on the strings or store it in your case. The locking mechanism keeps it secure in either position.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhen should I use this mute?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThis is a full orchestral mute for live performance. Use it when the score asks for pianissimo or con sordino, or when the conductor requests muted playing. For quiet home practice requiring major volume reduction, a heavy metal practice mute is more appropriate.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat is the difference between the round shape and the viol shape?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe round (two-hole) shape straddles both the A and D strings and delivers a fuller pianissimo effect. The viol (single-hole) shape fits on a single string and gives a more moderate mezzo-piano reduction. The round shape is the better choice when you need the deepest muted effect in performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan this mute damage the bridge?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eNormal use with a rubber mute will not damage a healthy, well-fitted bridge. Avoid leaving any mute clamped tightly on the bridge during prolonged storage. The precision fit of the Prizma line distributes pressure evenly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan I choose a specific colour?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eOnline orders are dispatched in random mixed colours. Come into the store if you would like to pick a specific colour from the range in person.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Viowiess","offers":[{"title":"Violin \/ Viola \/ Random Mixed Colour","offer_id":45878499737767,"sku":"4587849","price":20.0,"currency_code":"NZD","in_stock":true},{"title":"Cello \/ Random Mixed Colour","offer_id":46213763399847,"sku":"857411008053","price":35.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/roundshape.jpg?v=1720261664"},{"product_id":"viowiess-violin-mute-viol-shape","title":"Viowiess Violin\/Viola Mute Viol Shape","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eViowiess Prizma Mute\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eViol shape, acoustic mesh.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eColour and performance together.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eA single-prong viol-shape Tourte-style mute for studio recording and mezzo-piano passages. Precision-engineered fit, patented anti-rattle locking design, and a multi-colour print that makes it instantly recognisable in your case.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eA refined orchestral mute with a visual identity.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe Viowiess Viol Shape mute is part of the Prizma line, which combines conventional Tourte-style function with a patented acoustic resonating mesh and a distinctive multi-colour printed surface. The viol shape has a single slot, designed to fit precisely on a single string or between two strings, and includes a locking mechanism that prevents the rattle that can plague cheaper mutes when they sit on the strings near the tailpiece. The acoustic mesh is engineered to let the instrument resonate even while muted, so the tone retains body rather than sounding flat.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eViowiess (Prizma line)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShape\u003c\/td\u003e\n\u003ctd\u003eViol (single slot, 1-hole Tourte style)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMute type\u003c\/td\u003e\n\u003ctd\u003eOrchestral, studio recording, mezzo-piano\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocking design\u003c\/td\u003e\n\u003ctd\u003ePatented anti-rattle locking mechanism\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColour\u003c\/td\u003e\n\u003ctd\u003eRandom mixed colours (each piece varies)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin and viola\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eStudio-ready, mezzo-piano character.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe viol shape is designed for situations where you want mezzo-piano rather than pianissimo: a moderate reduction in volume and a softening of the upper harmonics, while the acoustic mesh allows the instrument to continue resonating. It is the right choice for studio recording sessions, chamber music passages, and any context where a subtler, more natural muted tone is preferable to the heavy dampening of a full practice mute.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eFitting and parking the mute.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eSlide the single slot over the A string (or between A and D) onto the bridge to mute. The precision fit means it seats without wobbling.\u003c\/li\u003e\n\u003cli\u003eTo park, slide back toward the tailpiece. The locking mechanism holds it in place on the string without rattling during playing.\u003c\/li\u003e\n\u003cli\u003eThe mute can also be fully removed and stored in your case if preferred.\u003c\/li\u003e\n\u003cli\u003eColours are randomly mixed: your mute may differ from product images.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eMinimal maintenance required.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eWipe the surface with a dry cloth to remove rosin dust. The multi-colour print is durable but avoid abrasive cleaners that might affect the surface finish. Store in the instrument case or leave parked on the strings; the locking design keeps it secure during transport.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhen should I use this mute?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThis is an orchestral-style mute suited to studio recording sessions, con sordino passages in performance, and situations where you want a moderate volume reduction with a natural, resonant tone. For significant volume reduction during home practice, a heavy practice mute is more appropriate.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat does the acoustic mesh actually do?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe patented mesh in the mute body allows the instrument's resonance to pass through rather than being fully absorbed. The result is a muted tone that retains body and warmth rather than sounding flat or deadened. It is a technical refinement over a solid rubber mute.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan this mute damage the bridge?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe precision-engineered fit distributes pressure evenly across the bridge. Normal use will not damage a well-maintained bridge. Avoid leaving any mute clamped under pressure on the bridge when the instrument is stored for long periods.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan I choose a specific colour?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eMutes are dispatched in random mixed colours. If you would like to choose a specific colour, visit us in store to see the full selection available.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Viowiess","offers":[{"title":"Random Mixed Colours","offer_id":45878518612135,"sku":"8574110","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/VLN_shape.jpg?v=1720263037"},{"product_id":"gewa-tourte-violin-shape-violin-mute-1","title":"GEWA Tourte Violin Shape Violin Mute","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eGEWA Tourte Mute\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eThe orchestral standard.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eViolin shape, rubber, reliable.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eThe GEWA Tourte in violin shape: a simple two-prong rubber mute that sits over the A and D strings when called for, and parks on the strings near the tailpiece when not in use.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eA workhorse orchestral mute.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe GEWA Tourte Violin Shape mute is the classic orchestral rubber mute in the distinctive violin-shape profile. Two prongs straddle the A and D strings over the bridge when you need con sordino, and the same prongs let you park the mute on the strings near the tailpiece between uses so it is ready without reaching into your case. It is the standard choice for students and professionals who want a dependable, low-fuss mute for rehearsal and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eGEWA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eTourte Violin Shape\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMute type\u003c\/td\u003e\n\u003ctd\u003eOrchestral (con sordino)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eRubber\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMounting strings\u003c\/td\u003e\n\u003ctd\u003eA and D strings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eVeiled, soft, orchestral.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eLike all Tourte-style mutes, this one clamps the bridge to reduce vibration transmission, softening volume and filtering some upper harmonics. The result is the warm, hushed tone typical of con sordino passages in orchestral and chamber music. It is an orchestral mute, not a practice mute: the sound is reduced, but you will still be heard in a quiet room.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eOn, off, and parked.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eTo mute, slide the mute from its resting place on the strings toward the bridge until the prongs grip the A and D strings over the bridge top.\u003c\/li\u003e\n\u003cli\u003eTo unmute, slide the mute back along the strings toward the tailpiece. It will sit there between the nut and tailpiece without falling off.\u003c\/li\u003e\n\u003cli\u003eThe violin shape profile allows the mute to sit close to the bridge without touching the body of the instrument.\u003c\/li\u003e\n\u003cli\u003eKeep the mute on the strings whenever you are not in the case, so it is always within reach at a moment's notice.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eSimple and long-lasting.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eRubber mutes require minimal care. Wipe with a dry cloth to remove rosin dust. Over many years, rubber can harden and lose flexibility; if the mute no longer grips the strings firmly or feels brittle, replace it. Store with the instrument or on the strings; there is no separate case required.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhen do I use this mute?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eUse it when your music says \"con sordino\" or when a conductor asks for muted playing. It is an orchestral mute for performance and rehearsal, not for quiet home practice where you need significant volume reduction.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat is the difference between this and a practice mute?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eAn orchestral mute like this one softens the tone and reduces volume moderately, producing the characteristic veiled sound used in con sordino passages. A practice mute is much heavier and reduces volume dramatically for quiet home practice. They serve different purposes and most players own both.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan this mute damage my bridge?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA rubber Tourte mute used normally will not damage a well-fitted bridge. Avoid leaving it clamped tightly on the bridge for extended periods when you are not playing, as sustained pressure on the bridge feet is best avoided regardless of mute type.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow do I clean the mute?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA dry cloth is all that is needed. Avoid soaking or using solvents, which can degrade the rubber over time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Gewa","offers":[{"title":"Default Title","offer_id":46000169124007,"sku":"","price":6.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/0c34482b728cfcb3d1c7be860061369c_800x_2cc84bd4-f7c4-4599-8be0-1b20d868b90f.webp?v=1725506944"},{"product_id":"things-4-strings-bow-hold-fish","title":"Things 4 Strings Bow Hold Fish","description":"\u003cdiv style=\"background-color:#FAF8F4;color:#1F1D1A;font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;max-width:860px;margin:0 auto;padding:48px 24px;line-height:1.65;\"\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv style=\"border-bottom:1px solid #E5DDD0;padding-bottom:48px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eTeaching Aid • Bow Hold Training\u003c\/p\u003e\n    \u003ch1 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:48px;font-weight:400;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 12px;line-height:1.15;\"\u003eThings 4 Strings \u003cspan style=\"font-style:italic;color:#6E5B3E;\"\u003eBow Hold Fish\u003c\/span\u003e\n\u003c\/h1\u003e\n    \u003cp style=\"font-size:18px;color:#6B655C;margin:0 0 24px;max-width:600px;\"\u003eA clever, fish-shaped guide that trains the pinky into a naturally rounded bow hold. Designed by master string teachers. Loved by students of all ages.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHAT IT IS --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhat It Is\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eA pinky guide that builds the habit you want\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eThe Bow Hold Fish sits on the bow stick and gently guides the pinky into a rounded, relaxed position. The shape isn't decorative. It is precisely designed so the finger settles where it needs to be, encouraging muscle memory through repetition rather than constant correction.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eInvented by Ruth Brons and Martha Brons, both master string teachers, the Things 4 Strings range has been helping students from age 3 upwards build a functional bow hold for decades. The patented design is used in Suzuki studios, school orchestras, and private lessons worldwide.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eAvailable in five colours: sunny yellow, bright blue, concert black, frosty clear, and sparkly pink.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY SPECS --\u003e\n  \u003cdiv style=\"background-color:#F2EDE4;border-radius:6px;padding:36px 40px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eKey Specs\u003c\/p\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:24px;\"\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eInstruments\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eViolin, viola and cello\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eFit\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eUniversal (all bow sizes)\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eAges\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e3 to adult (universal)\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eMaterial\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eSoft flexible plastic\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eColours available\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e5 colours\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eOrigin\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eUSA (patented)\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHO IT'S FOR --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWho It's For\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eFrom the first bow hold to remedial work\u003c\/h2\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:28px;\"\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eBeginners\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eReach a functional bow hold faster so lesson time goes to music, not constant corrections.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eContinuing students\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eUseful for remedial work when a pinky habit has formed that needs retraining.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eSpecial needs\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eTherapists have found many applications for players with physical challenges in the bow hand.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- HOW TO USE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eHow to Use\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eTwo weeks on, two weeks off\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eSlide the fish onto the bow stick so it rests just above the winding area. The pinky nest should be facing upward. Place the pinky naturally into the curved hollow.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eUse for two weeks, then remove for two weeks. Repeat until the muscle memory is established and the rounded hold holds on its own. Do not use continuously or the player may become reliant on the device rather than developing independent technique.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eYour teacher can advise on the right schedule for each student's age and stage.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARE + STORAGE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eCare + Storage\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eEasy to keep clean\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eThe Bow Hold Fish can be rinsed under warm water and left to air-dry. Do not boil or machine-wash. When not in use, remove it from the bow and store loosely in your case or instrument bag. It does not need to be kept on the bow between practice sessions.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv style=\"border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 24px;\"\u003eFrequently Asked Questions\u003c\/p\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWhat age is this suitable for?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eIt works for players aged 3 and up. The fit is universal across bow sizes, so it suits young beginners on fractional instruments as well as adult learners starting later in life.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eDoes it fit without removing the bow's frog or winding?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eYes. It slides over the stick from the tip end and sits in position without any disassembly of the bow.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWhen should a student stop using it?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eOnce the student can maintain a relaxed, rounded pinky consistently without the aid, and the teacher is satisfied with the natural bow hold. The two-weeks-on, two-weeks-off method helps judge this readiness gradually.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eCan it be washed?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eYes. Rinse under warm water and air-dry. It is a shared or classroom setting-friendly accessory because it can be cleaned easily between students.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eDoes it work for cello as well as violin?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eYes. Things 4 Strings makes bow hold accessories for violin, viola, and cello. The same concept applies across all three instruments, adapting to the respective bow size and grip style.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- IN STORE STRIP --\u003e\n  \u003cdiv style=\"background-color:#6E5B3E;border-radius:6px;padding:36px 40px;margin-top:48px;display:flex;align-items:center;justify-content:space-between;flex-wrap:wrap;gap:16px;\"\u003e\n    \u003cdiv\u003e\n      \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#FAF8F4;opacity:0.75;margin:0 0 6px;\"\u003eIn store\u003c\/p\u003e\n      \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:22px;color:#FAF8F4;margin:0;font-weight:400;\"\u003eCome in and try it at Symphonia Strings\u003c\/p\u003e\n      \u003cp style=\"font-size:14px;color:#FAF8F4;opacity:0.8;margin:6px 0 0;\"\u003e57-59 Wellington St, Freemans Bay, Auckland\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cspan style=\"font-size:32px;opacity:0.6;\"\u003e🎹\u003c\/span\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Things 4 Strings","offers":[{"title":"Frosty Clear","offer_id":46076807217319,"sku":"51182-FC","price":39.0,"currency_code":"NZD","in_stock":true},{"title":"Black","offer_id":46076807250087,"sku":"51182-CB","price":39.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/ce00cfd1278de7527ecd371d459a8b84_800x_1776873e-873e-44a4-b1dd-065ee4b7fc78.webp?v=1727423733"},{"product_id":"pirastro-finger-protect-skin-care","title":"Pirastro Finger Protect Skin Care","description":"\u003cdiv style=\"background-color:#FAF8F4;color:#1F1D1A;font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;max-width:860px;margin:0 auto;padding:48px 24px;line-height:1.65;\"\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv style=\"border-bottom:1px solid #E5DDD0;padding-bottom:48px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eSkin Care • Player Wellbeing\u003c\/p\u003e\n    \u003ch1 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:48px;font-weight:400;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 12px;line-height:1.15;\"\u003ePirastro \u003cspan style=\"font-style:italic;color:#6E5B3E;\"\u003eFinger Protect\u003c\/span\u003e\n\u003c\/h1\u003e\n    \u003cp style=\"font-size:18px;color:#6B655C;margin:0 0 24px;max-width:600px;\"\u003eA skin conditioner formulated for string players. Prevents blisters and soreness during the early weeks of playing and protects fingertips during intensive practice. Trusted across all levels.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHAT IT IS --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhat It Is\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eProtection for the fingers that do the work\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eString playing puts sustained pressure on the fingertips of the left hand. For new students this causes blisters and soreness that can interrupt practice and slow progress. For experienced players who increase practice load suddenly, the same issue can emerge.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003ePirastro Finger Protect is a cream formulated specifically for this purpose. Applied to the fingertips before and after playing, it conditions the skin and creates a light protective layer that reduces friction damage without numbing the touch needed for clean intonation.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003ePirastro is a German string manufacturer with over a century of experience making products for string players. Finger Protect is part of their direct instrument care range.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY SPECS --\u003e\n  \u003cdiv style=\"background-color:#F2EDE4;border-radius:6px;padding:36px 40px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eKey Specs\u003c\/p\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:24px;\"\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eBrand\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003ePirastro (Germany)\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eFormat\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eCream\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eUse\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eFingertip protection and conditioning\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eSuitable for\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eAll string players, all ages\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eWhen to apply\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eBefore and after playing\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003ePrice\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e$26.00 NZD\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHO BENEFITS --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWho Benefits\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eUseful at the start, and during intensive periods\u003c\/h2\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:28px;\"\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eNew students\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eThe first four to eight weeks of playing are when blistering is most likely. Finger Protect helps students get through this period without interruption.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003ePlayers after a break\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eReturning from holidays or illness softens the callus. Using Finger Protect helps rebuild without pain during the readjustment period.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003ePre-exam or heavy load\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eBefore exams, concerts, or intensives where practice load spikes, regular use protects fingers through the increased demand.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- HOW TO USE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eHow to Use\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eApply before and after, absorb fully before playing\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eApply a small amount to the fingertips of the left hand before practice. Allow it to absorb fully before picking up the instrument. There should be no slipperiness on the fingertips when contact with the string begins. Excess cream on the fingertips can reduce intonation sensitivity.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eApply again after practice when fingertips are sore or feel dry. Regular overnight use on damaged skin will speed recovery.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eKeep it in your case pocket so it is available before each session.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARE + STORAGE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eCare + Storage\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eHygienic, long-lasting\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eStore at room temperature. Cap tightly after use. Do not share between multiple users in a classroom setting without a clean applicator. The tube lasts most players several months under regular use.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv style=\"border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 24px;\"\u003eFrequently Asked Questions\u003c\/p\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eCan children use this?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eYes. It is suitable for all ages including young beginners. It is actually most commonly used for children in the early weeks of learning, when their skin is not yet accustomed to string pressure. Check with a parent or guardian if the child has a known skin sensitivity.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWill it affect my intonation or string feel?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eNot when used correctly. Let it absorb fully before playing. If there is any residue on the fingertip at the time of contact with the string, there may be a slight reduction in tactile feedback. A minute or two of absorption time is sufficient.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWill it affect the strings?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eMinimal amounts absorbed into the skin before playing should not transfer significantly to the strings. Avoid applying large amounts immediately before picking up the instrument. If the skin feels greasy rather than merely smooth, let it absorb longer or wipe the fingertips with a dry cloth first.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eDoes it have known allergens?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003ePirastro does not list common allergens in its published product notes. If you have sensitive skin or a known cream allergy, test a small amount on your wrist before applying to fingertips, or consult a pharmacist or GP before use.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eCan I use it when blisters have already broken?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eFor open blisters, consult a pharmacist or GP first. Broken skin may need an antiseptic treatment before any conditioning cream is applied. Finger Protect is preventive and for intact but sore skin, not for open wounds.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- IN STORE STRIP --\u003e\n  \u003cdiv style=\"background-color:#6E5B3E;border-radius:6px;padding:36px 40px;margin-top:48px;display:flex;align-items:center;justify-content:space-between;flex-wrap:wrap;gap:16px;\"\u003e\n    \u003cdiv\u003e\n      \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#FAF8F4;opacity:0.75;margin:0 0 6px;\"\u003eIn store\u003c\/p\u003e\n      \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:22px;color:#FAF8F4;margin:0;font-weight:400;\"\u003eAvailable at Symphonia Strings\u003c\/p\u003e\n      \u003cp style=\"font-size:14px;color:#FAF8F4;opacity:0.8;margin:6px 0 0;\"\u003e57-59 Wellington St, Freemans Bay, Auckland\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cspan style=\"font-size:32px;opacity:0.6;\"\u003e✨\u003c\/span\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Default Title","offer_id":46563041476775,"sku":"127210","price":26.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/images_7.jpg?v=1739521481"},{"product_id":"w-e-hill-sons-varnish-cleaner","title":"W.E. Hill and Sons Varnish Cleaner","description":"\u003cdiv style=\"background-color:#FAF8F4;color:#1F1D1A;font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;max-width:860px;margin:0 auto;padding:48px 24px;line-height:1.65;\"\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv style=\"border-bottom:1px solid #E5DDD0;padding-bottom:48px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eMaintenance • Instrument Cleaning\u003c\/p\u003e\n    \u003ch1 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:48px;font-weight:400;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 12px;line-height:1.15;\"\u003eW.E. Hill and Sons \u003cspan style=\"font-style:italic;color:#6E5B3E;\"\u003eVarnish Cleaner\u003c\/span\u003e\n\u003c\/h1\u003e\n    \u003cp style=\"font-size:18px;color:#6B655C;margin:0 0 24px;max-width:600px;\"\u003eThe original Hill formula. Gently removes rosin, dirt, and grime from instrument varnish without stripping or dulling the finish. Trusted by workshops and players for over a century.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHAT IT IS --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhat It Is\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eA cleaner made specifically for instrument varnish\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eMost household cleaners and general polishes are too aggressive for violin and cello varnish. Instrument varnishes are thin, often oil-based, and formulated to preserve the wood's acoustic response. A cleaner that cuts too hard removes varnish along with the dirt.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eHill Varnish Cleaner was developed by W.E. Hill and Sons, one of England's most respected violin making and dealing firms. The formula is mild enough for regular use on traditional oil varnish yet effective at dissolving rosin buildup, the most common problem on the instrument top and shoulders.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eMade in England. The original formula, unchanged.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY SPECS --\u003e\n  \u003cdiv style=\"background-color:#F2EDE4;border-radius:6px;padding:36px 40px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eKey Specs\u003c\/p\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:24px;\"\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eBrand\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eW.E. Hill and Sons (England)\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eSuitable for\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eViolin, viola, cello, bass\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eRemoves\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eRosin, dirt, grime\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eSafe for\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eTraditional oil varnish\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eApplication tool\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eSoft lint-free cloth\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eFrequency\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e1-2 times per month\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHERE TO USE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhere to Use\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eBody and shoulders; not strings, not the bow\u003c\/h2\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr;gap:28px;\"\u003e\n      \u003cdiv style=\"background-color:#F2EDE4;border-radius:4px;padding:28px 32px;\"\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eUse on\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eThe top, back, ribs, and shoulders of the instrument body. These are the areas that collect rosin dust and handle oils during normal playing.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv style=\"background-color:#F2EDE4;border-radius:4px;padding:28px 32px;\"\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eDo not use on\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eThe strings, bow hair, bow stick, or chin rest. These surfaces require different products or no cleaning product at all.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- HOW TO USE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eHow to Use\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eSmall amount, soft cloth, circular motion\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eApply a very small amount to a soft, lint-free cloth. A microfibre cloth is ideal. Work in gentle circular motions across the affected area. The cleaner will lift rosin and dirt. Buff lightly with a dry section of cloth to restore shine.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eAfter each practice session, wipe the instrument down with a dry cloth to remove fresh rosin before it builds up. Use Hill Varnish Cleaner for the deeper monthly clean when rosin has accumulated on the top.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eLess is more. You do not need to saturate the cloth. A small amount is more effective and less likely to leave residue.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARE + STORAGE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eCare + Storage\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eKeep it cool and sealed\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eStore at room temperature away from direct sunlight or heat. Cap tightly after each use. Do not leave open in a case. One bottle lasts most players years given the small amounts used per application.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv style=\"border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 24px;\"\u003eFrequently Asked Questions\u003c\/p\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eIs it safe on all types of instrument varnish?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eIt is formulated for traditional oil varnish, which is standard on quality instruments. If your instrument has a spirit or lacquer finish (common on some student instruments), test a tiny area first or check with your luthier before full use.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eHow often should I use it?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eOnce or twice a month for most players. Wipe the instrument with a dry cloth after every session to remove fresh rosin, and reserve the cleaner for the accumulated buildup that a dry cloth cannot shift.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eCan I use it to clean the strings or the bow stick?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eNo. Varnish cleaner is for the instrument body only. Strings should be wiped with a dry cloth. Bow sticks should not have liquid applied without guidance from a luthier, as it can affect the camber or the grip for the right hand.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWill it restore scratches or repair finish damage?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eNo. It is a cleaner, not a filler or restorative. For scratches, chips, or finish repairs, a luthier is needed. Using more cleaner on damaged areas will not help and may worsen the problem.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWhat cloth should I use with it?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eUse a soft, lint-free cloth. A microfibre cleaning cloth is the best option as it is non-abrasive and picks up residue without leaving fibres. Avoid paper towels or rough fabric that could scratch the varnish surface.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- IN STORE STRIP --\u003e\n  \u003cdiv style=\"background-color:#6E5B3E;border-radius:6px;padding:36px 40px;margin-top:48px;display:flex;align-items:center;justify-content:space-between;flex-wrap:wrap;gap:16px;\"\u003e\n    \u003cdiv\u003e\n      \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#FAF8F4;opacity:0.75;margin:0 0 6px;\"\u003eIn store\u003c\/p\u003e\n      \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:22px;color:#FAF8F4;margin:0;font-weight:400;\"\u003eWe stock this alongside our microfibre cloths at Symphonia Strings\u003c\/p\u003e\n      \u003cp style=\"font-size:14px;color:#FAF8F4;opacity:0.8;margin:6px 0 0;\"\u003e57-59 Wellington St, Freemans Bay, Auckland\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cspan style=\"font-size:32px;opacity:0.6;\"\u003e✨\u003c\/span\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"W. E Hill and Sons","offers":[{"title":"Default Title","offer_id":46624453492903,"sku":"5036678000412","price":39.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/Screenshot2025-03-10at8.22.33PM.png?v=1741591494"},{"product_id":"stringvision-bow-hold-for-violin-viola-and-cello","title":"Stringvision Bow Hold for Violin, Viola and Cello","description":"\u003cdiv style=\"background-color:#FAF8F4;color:#1F1D1A;font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;max-width:860px;margin:0 auto;padding:48px 24px;line-height:1.65;\"\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv style=\"border-bottom:1px solid #E5DDD0;padding-bottom:48px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eBow Hold Aid • Ergonomic Support\u003c\/p\u003e\n    \u003ch1 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:48px;font-weight:400;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 12px;line-height:1.15;\"\u003eStringvision \u003cspan style=\"font-style:italic;color:#6E5B3E;\"\u003eBow Hold\u003c\/span\u003e\n\u003c\/h1\u003e\n    \u003cp style=\"font-size:18px;color:#6B655C;margin:0 0 24px;max-width:600px;\"\u003eSoft ergonomic rubber that wraps the bow stick and supports the thumb. Stretches to fit violin, viola, and cello bows without removing the frog.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHAT IT IS --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhat It Is\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eComfort and grip in one simple sleeve\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eThe Stringvision Bow Hold is a soft, non-slip rubber sleeve that fits over the bow stick. It includes a shaped thumb indent that places the thumb in a natural, relaxed arc, reducing the tendency to grip too tightly or to let the thumb straighten under pressure.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eUnlike some training aids, this design is low-profile enough that many players keep it on during normal practice and performance when hand fatigue is a concern. The rubber grips the stick without slipping, and the non-abrasive surface does not mark the bow stick.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eA single size stretches to fit violin, viola, and cello bows, and fits without removing the frog.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY SPECS --\u003e\n  \u003cdiv style=\"background-color:#F2EDE4;border-radius:6px;padding:36px 40px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eKey Specs\u003c\/p\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:24px;\"\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eInstruments\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eViolin, viola and cello\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eFit\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eUniversal stretch fit\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eInstallation\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eNo frog removal needed\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eMaterial\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eNon-slip rubber\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eFeature\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eErgonomic thumb indent\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eBow protection\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eShields stick from wear\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHO IT'S FOR --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWho It's For\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eUseful at every level\u003c\/h2\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:28px;\"\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eBeginners\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eHelps form a relaxed grip from the start, with less correction needed from the teacher.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eActive performers\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eReduces hand fatigue during long rehearsals, performances, or intensive practice periods.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eInjury-prone players\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eEncourages a lighter, more natural grip that can help reduce overuse strain in the thumb and wrist.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- HOW TO USE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eHow to Use\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eStretch over the stick, play\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eStretch the sleeve over the bow tip and work it down to the winding area, positioning the thumb indent on the underside of the stick where the thumb naturally sits. The rubber will grip the stick without adhesive.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eIt can be worn throughout practice or removed when the player wants to work without support. There is no required on-off schedule; use it as long as it provides benefit.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARE + STORAGE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eCare + Storage\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eWipe and replace\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eWipe down with a slightly damp cloth. Keep away from rosin dust to maintain the grip surface. Store loosely; avoid crushing under heavy items in the case. If the rubber perishes or loses grip, replace it.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv style=\"border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 24px;\"\u003eFrequently Asked Questions\u003c\/p\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWho is this designed for?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eIt suits a wide range, from beginners establishing their first bow hold to more experienced players dealing with fatigue or discomfort. There is no age lower limit, though very young beginners may benefit more from the Bow Hold Fish which is shaped for pinky placement specifically.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eDoes fitting require removing the bow frog?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eNo. It stretches over the tip of the bow and slides into position, so the frog stays fully intact.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWill the rubber damage or mark the bow stick?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eThe non-slip rubber is smooth on the inside and should not scratch or mark the lacquer on the stick. However, if you have a high-value bow, check with your luthier before use.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eCan it be used for performance, not just practice?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eYes. The profile is low enough that many players use it during rehearsals and performances, particularly when managing fatigue over a long program.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eDoes it fit all bow sizes?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eOne size stretches to cover violin, viola, and cello bows. The rubber is elastic enough to accommodate the range of stick diameters across these instruments.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- IN STORE STRIP --\u003e\n  \u003cdiv style=\"background-color:#6E5B3E;border-radius:6px;padding:36px 40px;margin-top:48px;display:flex;align-items:center;justify-content:space-between;flex-wrap:wrap;gap:16px;\"\u003e\n    \u003cdiv\u003e\n      \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#FAF8F4;opacity:0.75;margin:0 0 6px;\"\u003eIn store\u003c\/p\u003e\n      \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:22px;color:#FAF8F4;margin:0;font-weight:400;\"\u003eTry it before you buy at Symphonia Strings\u003c\/p\u003e\n      \u003cp style=\"font-size:14px;color:#FAF8F4;opacity:0.8;margin:6px 0 0;\"\u003e57-59 Wellington St, Freemans Bay, Auckland\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cspan style=\"font-size:32px;opacity:0.6;\"\u003e🎹\u003c\/span\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Stringvision","offers":[{"title":"Default Title","offer_id":46651136802983,"sku":"51195","price":28.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/ab8e7d9576dadb68383831e865b27bde.webp?v=1742439454"},{"product_id":"premium-microfibre-cleaning-towel","title":"Microfibre Cleaning Cloth","description":"\u003cdiv style=\"background-color:#FAF8F4;color:#1F1D1A;font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;max-width:860px;margin:0 auto;padding:48px 24px;line-height:1.65;\"\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv style=\"border-bottom:1px solid #E5DDD0;padding-bottom:48px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eMaintenance • Daily Care\u003c\/p\u003e\n    \u003ch1 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:48px;font-weight:400;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 12px;line-height:1.15;\"\u003eMicrofibre \u003cspan style=\"font-style:italic;color:#6E5B3E;\"\u003eCleaning Cloth\u003c\/span\u003e\n\u003c\/h1\u003e\n    \u003cp style=\"font-size:18px;color:#6B655C;margin:0 0 24px;max-width:600px;\"\u003e30cm x 30cm. Soft, lint-free and non-abrasive. For wiping down your instrument and bow after every session. The simplest habit that makes the biggest difference to instrument longevity.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHAT IT IS --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhat It Is\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eThe cloth you should use after every session\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eRosin dust settles on the instrument top and strings with every stroke of the bow. Left there, it hardens into a crust that is difficult to remove and accelerates string wear. A quick wipe after every session is the most effective maintenance step a player can take.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eThis microfibre cloth is woven with a fine, high-density weave that lifts rosin dust without scratching the varnish. It is soft enough for use on the instrument body, bow stick, and chinrest. Unlike general dusting cloths, it does not leave fibres or lint on strings or surfaces.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eSize 30cm x 30cm. Machine-washable and reusable. Each cloth will last years with proper care.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY SPECS --\u003e\n  \u003cdiv style=\"background-color:#F2EDE4;border-radius:6px;padding:36px 40px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eKey Specs\u003c\/p\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:24px;\"\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eSize\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e30cm x 30cm\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eMaterial\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eHigh-density microfibre\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eFinish\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eLint-free, non-abrasive\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eSafe surfaces\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eInstrument body, strings, bow stick, chinrest\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eWashable\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eMachine washable\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003ePrice\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e$9.50 NZD\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHERE TO USE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhere to Use\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eSafe across the whole instrument\u003c\/h2\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:28px;\"\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eInstrument body\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eWipe the top, shoulders, and sides to remove rosin dust and finger marks after each session.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eStrings\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eWipe along each string from fingerboard end to tailpiece to remove rosin from the bowing surface.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eBow stick\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eWipe the stick to remove rosin transferred from the hair. Do not wipe the bow hair itself.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- HOW TO USE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eHow to Use\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eWipe down before you case up\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eBefore placing the instrument in the case at the end of every session, wipe the strings, the top of the instrument, and the bow stick. This takes about 30 seconds and prevents rosin from hardening between sessions.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eUse a dry cloth for the daily wipe. When used with a cleaning product such as the Hill Varnish Cleaner, apply the product to the cloth first, then work it across the instrument. This prevents over-application and ensures even coverage.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eKeep a separate cloth for strings and one for the instrument body if possible, to avoid transferring rosin from strings onto the varnish.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARE + STORAGE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eCare + Storage\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eWash cool, air dry\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eMachine wash in cool or warm water. Do not use fabric softener as it clogs the fibres and reduces absorbency. Tumble dry on low or air dry. Replace when the cloth shows pilling, heavy discolouration, or reduced softness that dry-wiping cannot restore.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv style=\"border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 24px;\"\u003eFrequently Asked Questions\u003c\/p\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eCan I wash it after it becomes clogged with rosin?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eYes. Machine wash in warm water, no fabric softener. The rosin will loosen and wash out. After several washes some residue may remain, but the cloth will still be effective. Replace when it no longer feels soft or when dry-wiping stops picking up rosin effectively.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eIs it safe to use on instrument varnish?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eYes. Dry microfibre is the standard safe surface for instrument body wiping. It does not scratch varnish when used dry or with a small amount of a recommended cleaner. Never use it while it is saturated with cleaning product, as excess liquid on varnish can cause issues over time.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eHow often should I replace it?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eA quality microfibre cloth with regular washing typically lasts a year or two under daily use. Replace when the weave begins to pile or when it no longer feels soft to the touch. At $9.50 it is worth keeping a spare in the case.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eCan I use this cloth to apply Hill Varnish Cleaner?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eYes. Apply a small amount of cleaner to the cloth, not directly to the instrument, and work it in gently. This is the recommended pairing for monthly maintenance cleaning.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eShould I keep separate cloths for different surfaces?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eIt is a good habit to use one cloth for strings and one for the body. String rosin that transfers onto the body cloth can leave marks on the varnish over time. Keeping two cloths in your case is cheap insurance.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- IN STORE STRIP --\u003e\n  \u003cdiv style=\"background-color:#6E5B3E;border-radius:6px;padding:36px 40px;margin-top:48px;display:flex;align-items:center;justify-content:space-between;flex-wrap:wrap;gap:16px;\"\u003e\n    \u003cdiv\u003e\n      \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#FAF8F4;opacity:0.75;margin:0 0 6px;\"\u003eIn store\u003c\/p\u003e\n      \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:22px;color:#FAF8F4;margin:0;font-weight:400;\"\u003ePick one up at Symphonia Strings\u003c\/p\u003e\n      \u003cp style=\"font-size:14px;color:#FAF8F4;opacity:0.8;margin:6px 0 0;\"\u003e57-59 Wellington St, Freemans Bay, Auckland\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cspan style=\"font-size:32px;opacity:0.6;\"\u003e✨\u003c\/span\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Symphonia Music","offers":[{"title":"Red","offer_id":46651393802407,"sku":"132010","price":9.5,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/20250320_202010.jpg?v=1742455305"},{"product_id":"tido-pad-violin-shoulder-rest-and-chin-comforter","title":"Tido Pad Violin Shoulder Rest and Chin Comforter","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eTido Pad\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eSoft support, no hardware.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eFoam and velvet, fits all sizes.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eA cushioned pad that works as a standalone shoulder rest or alongside an existing one. Attaches to the violin's c-bouts with soft elastic bands. Available in three sizes to fit violins from 1\/8 to 4\/4.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eComfort without a conventional rest.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe Tido Pad is a soft foam pad covered in velvety fabric that attaches to the c-bouts of a violin using soft elastic bands. It can be used as a standalone shoulder rest in place of a conventional rest, or placed on top of an existing shoulder rest for additional cushioning and support. The inner foam can be removed to reduce height for a lower profile. It also functions as a chinrest comforter, eliminating the discomfort of a hard chinrest against the neck and jaw. Available in three sizes: 1\/8 to 1\/4, 1\/2, and 3\/4 to 4\/4.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eTido\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eFoam padding covered in velvety fabric\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAttachment\u003c\/td\u003e\n\u003ctd\u003eSoft elastic bands on c-bouts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeight adjustment\u003c\/td\u003e\n\u003ctd\u003eInner foam removable for lower profile\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUse\u003c\/td\u003e\n\u003ctd\u003eStandalone shoulder rest, supplemental pad, or chinrest comforter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSizes available\u003c\/td\u003e\n\u003ctd\u003e1\/8 to 1\/4, 1\/2, 3\/4 to 4\/4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eComfort profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eSoft support for young players and beginners.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe Tido Pad is particularly well suited to young students who are not yet ready for a conventional shoulder rest, or who find standard rests uncomfortable. The soft fabric eliminates the direct contact between the chinrest and the neck that causes irritation in some players. Because it uses no metal hardware, there is no risk of scratching the instrument and no adjustment mechanism to figure out. The elastic band attachment is gentle on the instrument's finish.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eFitting and adjusting.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eLoop the elastic bands around the c-bouts of the violin to secure the pad in place. The bands are soft and will not damage the finish.\u003c\/li\u003e\n\u003cli\u003eIf the pad sits too high, remove the inner foam insert to lower the profile.\u003c\/li\u003e\n\u003cli\u003eThe pad can be positioned anywhere along the lower bout area to suit the player's posture.\u003c\/li\u003e\n\u003cli\u003eUse alongside a conventional shoulder rest for extra cushioning, or on its own as a soft, low-profile alternative.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eSimple fabric care.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eSpot-clean the velvety fabric with a damp cloth if needed. Avoid machine washing. The foam insert can be removed for cleaning separately. Store flat in the instrument case; the pad is thin enough to sit alongside the instrument without taking up significant space.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat violin sizes does this fit?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe Tido Pad is available in three sizes: 1\/8 to 1\/4, 1\/2, and 3\/4 to 4\/4. Select the size that matches your violin when ordering.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow do I adjust the height?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRemove the inner foam insert to reduce the height of the pad. This gives you a lower, flatter profile if the full-height pad sits too high for comfortable playing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eIs this suitable for players with skin sensitivities?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe velvety fabric covering is soft against the skin and neck. Players who experience irritation from hard chinrests or plastic shoulder rests often find the Tido Pad much more comfortable. If you have a specific fabric or foam allergy, check the materials before purchasing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan I use the Tido Pad with a conventional shoulder rest?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eYes. It works well on top of an existing shoulder rest as an additional cushion, or as a standalone soft rest on its own. It is also used as a chinrest comforter placed between the chinrest and the player's jaw or neck.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Tido","offers":[{"title":"1\/8 - 1\/4","offer_id":46651642675367,"sku":"1323103","price":25.0,"currency_code":"NZD","in_stock":false},{"title":"1\/2","offer_id":46651642708135,"sku":"","price":25.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/afc8a660c754bd185df8af4195ad46a0_1efda9f7-c33d-4eb3-9058-608313345ef5.webp?v=1742458190"},{"product_id":"pirastro-violin-rosin-evah-pirazzi-gold","title":"Pirastro Rosin - Evah Pirazzi GOLD","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003ePirastro Rosin\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eMatched to Evah Pirazzi Gold.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eBrilliant, full-spectrum sound.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eDeveloped alongside the Evah Pirazzi Gold string set. Brings out the full sound spectrum, powerful projection, and excellent bow response those strings are built for.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eRosin engineered for one string set.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003ePirastro developed the Evah Pirazzi GOLD rosin specifically alongside the Evah Pirazzi Gold strings. The pairing is intentional: the rosin formula is tuned to bring out the full sound spectrum of those strings rather than being a general-purpose product. Players using Evah Pirazzi Gold strings will notice that this rosin unlocks the strings' characteristic projection and warmth more completely than a standard rosin does.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003ePirastro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSKU\u003c\/td\u003e\n\u003ctd\u003e188310\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormula character\u003c\/td\u003e\n\u003ctd\u003eBrilliant, full-spectrum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMatched string set\u003c\/td\u003e\n\u003ctd\u003ePirastro Evah Pirazzi Gold\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eProjection and warmth, together.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThis rosin draws out the full frequency range of the Evah Pirazzi Gold strings: a seductive, warm core combined with powerful projection and a clear, fast bow response. It produces a sound that carries without being harsh, with an even tonal balance from the lowest to the highest string. Well-suited to players who want presence and richness in the same instrument.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply lightly before each practice session, using slow full-length strokes along the bow hair.\u003c\/li\u003e\n\u003cli\u003eThe rosin pairs best with Evah Pirazzi Gold strings, but works well with other synthetic-core sets of similar tension.\u003c\/li\u003e\n\u003cli\u003eNew bow hair requires several coats across the first few sessions to build an even foundation layer.\u003c\/li\u003e\n\u003cli\u003eWipe rosin dust from strings and instrument top after each session.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore in the original packaging in a cool, dry place away from direct sunlight. Rosin is temperature-sensitive; avoid leaving it in a warm instrument case or car interior. Handle by the cloth to avoid oils from your hands degrading the rosin surface over time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDo I need to use this rosin specifically with Evah Pirazzi Gold strings?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eIt was developed for that string set and performs best with it, but it will work with other synthetic-core strings too. If you are using Evah Pirazzi Gold strings, this rosin is the most direct way to access the full character of those strings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA few light strokes before each session is enough. Over-application will cloud the tone and cause excess dust build-up on the instrument.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin lasts many years when stored well. If the cake becomes brittle, glassy, or stops producing dust on the bow, it is past its best and worth replacing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan rosin cause skin or respiratory irritation?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eColophony (the resin base in most rosin) can irritate some players. If you experience symptoms, consider a hypoallergenic alternative. Rosin dust can be minimised by wiping strings and the instrument top after each session.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Default Title","offer_id":47213452984487,"sku":"188310","price":62.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/51581.webp?v=1762247457"},{"product_id":"pirastro-rosin-evah-pirazzi-gold-copy","title":"Pirastro Rosin – Tonica","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003ePirastro Rosin\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eWarm all-rounder.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eMedium grip, round tone.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eA medium-hard rosin with a balanced, warm character. Pairs particularly well with Tonica strings and suits players across a wide range of styles.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eReliable, balanced, and warm.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003ePirastro Tonica Rosin is a medium-hardness rosin in a rounded orange cake, supplied with a crimped cloth and boxed for easy storage. It was developed to pair with Tonica strings, but its balanced character makes it a dependable choice for any player using synthetic-core strings who wants a warm sound without sacrificing bow response. It sits in the middle of the traction range: grippy enough for clear articulation, smooth enough for sustained singing tone.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003ePirastro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSKU\u003c\/td\u003e\n\u003ctd\u003e188610\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHardness\u003c\/td\u003e\n\u003ctd\u003eMedium\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColour\u003c\/td\u003e\n\u003ctd\u003eOrange\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMatched string set\u003c\/td\u003e\n\u003ctd\u003eTonica (also suitable for most synthetic-core sets)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eWarm, clear, and balanced.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eTonica Rosin produces a round, warm tone with a natural bow grip. It does not emphasise brightness or bass, sitting evenly across the tonal range instead. Players who want a neutral, dependable rosin that does not pull the sound in any extreme direction will find it does exactly that. It suits orchestral, ensemble, and everyday practice use without adjustment.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply a few light strokes to the bow hair before playing. The medium hardness means it deposits evenly without over-applying.\u003c\/li\u003e\n\u003cli\u003eWorks well with Tonica strings as a matched pair, and suits other synthetic-core sets too.\u003c\/li\u003e\n\u003cli\u003eNew bow hair benefits from several foundation coats across the first few sessions before it grips evenly.\u003c\/li\u003e\n\u003cli\u003eWipe rosin dust from strings and the instrument top after playing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore in the original box in a cool, dry place. The medium hardness makes this rosin fairly resilient to temperature changes, but prolonged exposure to direct heat will still cause softening. The crimped cloth keeps the cake protected and makes application easier; replace the cloth if it wears out.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDo I need Tonica strings to use this rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eNo. While it was developed to pair with Tonica strings, its medium-hardness, balanced formula suits most synthetic-core string sets. It is a reliable all-purpose choice even if you are using a different brand.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA few light strokes before each session is usually enough. The medium hardness means it is easy to over-apply if you use heavy pressure. Light application gives a cleaner, more even sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin is stable for many years when stored properly. If the cake becomes glassy or brittle and produces no powder, it is time to replace it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan rosin cause skin or respiratory irritation?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eColophony, the tree-resin base in most rosin, can affect sensitive players. Wipe rosin dust from the instrument after playing to reduce exposure. If you experience irritation, look for a hypoallergenic formula such as Mabsa Honey.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Default Title","offer_id":47213465927847,"sku":"188610","price":25.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/51584.webp?v=1762247651"},{"product_id":"pirastro-violin-rosin-obligato","title":"Pirastro Rosin - Violin Obligato","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003ePirastro Rosin\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eSmooth and quiet.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eMade for synthetic-core strings.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eA dark, medium-hard rosin designed for low-medium tension synthetic-core strings. Smooth grip, minimal noise, suited to Obligato and Violino string sets.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eQuiet grip for synthetic strings.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003ePirastro Obligato Rosin is a dark round cake on crimped cloth, matched to the Obligato and Violino string sets. Its medium-hard formula suits low-medium tension synthetic-core strings, providing a smooth grip that lets the bow draw tone without introducing unwanted surface noise. Players who prioritise a clean, quiet attack with a broad, blended tone will find it works well in both practice and ensemble settings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003ePirastro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSKU\u003c\/td\u003e\n\u003ctd\u003e188710\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHardness\u003c\/td\u003e\n\u003ctd\u003eMedium-hard\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColour\u003c\/td\u003e\n\u003ctd\u003eDark\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMatched string sets\u003c\/td\u003e\n\u003ctd\u003eObligato, Violino (low-medium tension synthetic-core)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eSmooth, low-noise, blended.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eObligato Rosin produces a smooth, broad sound with a quiet bow-string contact. It does not add brightness or edge; instead it supports the warm, rounded character of synthetic-core strings and keeps surface noise to a minimum. This makes it well-suited to ensemble and chamber settings where blending within a section matters more than projecting as a soloist.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply lightly before each session using slow, even strokes along the bow hair.\u003c\/li\u003e\n\u003cli\u003eWorks best with Obligato or Violino strings, and suits most low-medium tension synthetic-core sets.\u003c\/li\u003e\n\u003cli\u003eNew bow hair needs several foundation coats across the first few sessions before it grips evenly.\u003c\/li\u003e\n\u003cli\u003eWipe rosin dust from strings and the instrument top after each session.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore in the original packaging in a cool, dry location. The medium-hard formula is reasonably stable in temperature but will soften with prolonged heat. Keep it in its cloth wrapper and away from direct sunlight.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eIs this rosin only suitable for Obligato strings?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eIt was designed for Obligato and Violino strings, but works well with any low-medium tension synthetic-core set. The smooth, low-noise formula suits players who want a clean tone without high traction.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA few light strokes before each session is typically enough. This is a lower-traction rosin, so over-application will produce a dense, cloudy sound rather than a clean one.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin lasts for years when stored correctly. If it becomes glassy or stops producing dust on the bow, it is time to replace it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan rosin cause allergic reactions?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eMost rosin contains colophony, which can irritate sensitive players. Wipe rosin dust from strings and the instrument body after playing to reduce exposure. For a gentler option, see the Mabsa Honey formula.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Default Title","offer_id":47213473366183,"sku":"188710","price":25.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/51588.webp?v=1762247720"},{"product_id":"violin-rosin-pirastro-eudoxa","title":"Pirastro Rosin - Eudoxa","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003ePirastro Rosin\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eTraditional warmth.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eThe gut string companion.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eA light, round rosin on crimped cloth made for gut strings. Low traction, warm tone, and a clean contact point that suits the natural character of gut.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eEudoxa rosin for gut strings.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003ePirastro Eudoxa Rosin is the designated companion to the Eudoxa gut string range. Its light, pale formula provides a gentle grip that works with the natural elasticity and warmth of gut rather than against it. Gut strings respond best to lower-traction rosins, and the Eudoxa formula is calibrated for exactly that: smooth, warm contact without the drag or noise that a harder rosin would introduce. It is supplied on crimped cloth with an elastic tie.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003ePirastro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSKU\u003c\/td\u003e\n\u003ctd\u003e188210\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHardness\u003c\/td\u003e\n\u003ctd\u003eLight (soft)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColour\u003c\/td\u003e\n\u003ctd\u003eLight\/pale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMatched string set\u003c\/td\u003e\n\u003ctd\u003eEudoxa gut strings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eWarm, natural, and unhurried.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eEudoxa Rosin produces a warm, natural tone that honours the resonance of gut strings. The light grip means the bow moves smoothly across the string without adding noise, allowing the organic quality of gut to come through fully. It suits period performance, chamber playing, and any player who values tonal richness over projection.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply very lightly. This is a soft rosin and deposits quickly. A few gentle strokes before playing is enough.\u003c\/li\u003e\n\u003cli\u003ePairs specifically with gut strings. It will work on synthetic-core strings but may feel lower in grip than expected.\u003c\/li\u003e\n\u003cli\u003eWipe strings and instrument top gently after each session. Gut strings are more sensitive to rosin dust than synthetic ones.\u003c\/li\u003e\n\u003cli\u003eHandle the cake by the cloth; oils from skin contact degrade the rosin surface over time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eSoft rosins are more temperature-sensitive than harder types. Store the Eudoxa rosin in a cool, dry place away from direct sunlight. Avoid leaving it in a warm instrument case or car. The elastic tie keeps the cloth secure around the cake; make sure it is wrapped before storage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes Eudoxa rosin only work on gut strings?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eIt was designed for gut strings and performs best with them. The light formula is calibrated for gut's elasticity and warmth. It will work on synthetic-core strings, but those players may find the traction lighter than they prefer.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eVery lightly and infrequently compared to harder rosins. A few strokes before playing is usually enough. Over-application with a soft rosin produces a heavy, sticky response.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin lasts for years when stored properly. Soft rosins can become more prone to cracking in cold conditions or more prone to softening in heat. Keep it at a stable room temperature for the best longevity.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan rosin cause allergic reactions?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eMost rosin contains colophony. Wipe rosin dust from strings and the instrument after playing to reduce exposure. If you experience sensitivity, a hypoallergenic alternative such as Mabsa Honey may help.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Default Title","offer_id":47213480083623,"sku":"188210","price":35.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/images_5.jpg?v=1762256515"},{"product_id":"pirastro-rosin-goldflex","title":"Pirastro Rosin - Goldflex","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003ePirastro Rosin\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eGold-infused grip.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eSmooth, dark, and flexible.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eA premium dark rosin with gold flake, supplied on crimped cloth with an elastic tie. Smoother in application than standard Pirastro rosin, with a warm, even tone.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGold formula for smoother bowing.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003ePirastro Goldflex is a dark rosin with gold flake that sits above the standard Pirastro range in terms of smoothness and refinement. The gold content modifies the traction of the rosin, making the bow feel more flexible and responsive on the string. This is particularly useful for players who find conventional rosins too sticky or who want a more effortless, flowing bow arm. It is supplied on crimped cloth with an elastic tie and boxed for easy storage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003ePirastro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSKU\u003c\/td\u003e\n\u003ctd\u003e188510\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHardness\u003c\/td\u003e\n\u003ctd\u003eMedium-hard (dark)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormula additive\u003c\/td\u003e\n\u003ctd\u003eGold flake\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGrip character\u003c\/td\u003e\n\u003ctd\u003eSmooth, flexible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin, viola\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eWarm, smooth, and even.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eGoldflex produces a warm, even tone with a slightly smoother contact than standard Pirastro formulas. The gold content reduces surface stickiness, which translates into a more flexible bow response. Players who want good grip without a grabbing sensation, particularly in faster bow changes or long sustained tones, will find Goldflex sits well in those demands.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply lightly before each session with slow, even strokes along the bow hair.\u003c\/li\u003e\n\u003cli\u003eThe gold-modified formula requires less application than standard rosin to achieve good traction. Start with less and add more only if needed.\u003c\/li\u003e\n\u003cli\u003eNew bow hair benefits from several foundation coats across the first few sessions.\u003c\/li\u003e\n\u003cli\u003eWipe rosin dust from strings and the instrument top after each session.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore in the original box in a cool, dry place away from direct sunlight. The dark formula is medium-hard and holds its shape well at room temperature. The elastic tie keeps the cloth wrapper secure; make sure the cake is covered before storing to protect it from dust and physical damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat does the gold in Goldflex actually do?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe gold flake modifies the surface traction of the rosin, making the bow feel smoother and more flexible rather than sticky or heavy. It does not affect the tone colour directly but does improve bow control in players who find standard rosins too grippy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eLess frequently than with harder rosins. A few light strokes before each session is usually enough. The gold formula deposits efficiently, so over-application is easy to do and produces a heavy, sluggish feel.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin lasts for years when stored correctly. If it becomes glassy or stops producing dust on the bow, it is time to replace it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan rosin cause allergic reactions?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eMost rosin contains colophony. Wiping rosin dust from strings and the instrument after playing reduces exposure. If you experience sensitivity, a hypoallergenic option such as Mabsa Honey may suit you better.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Default Title","offer_id":47213485555879,"sku":"188510","price":37.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/51586.webp?v=1762247899"},{"product_id":"pirastro-rosin-gold","title":"Pirastro Rosin - Gold","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003ePirastro Rosin\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eThe classic Pirastro formula.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eRound, warm, and reliable.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eA medium-hard orange rosin on crimped cloth, designed to pair with Pirastro Gold gut strings. Balanced grip, warm tone, and dependable in daily use.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003ePirastro Gold: the standard-bearer.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003ePirastro Gold Rosin is a medium-hard, round orange rosin supplied on crimped cloth and packaged in a square box. It was developed to complement the Pirastro Gold gut string range, and its formula reflects that origin: warm, even grip with good tonal balance. It is one of Pirastro's most established rosin offerings and serves as a reliable all-purpose choice for players who want consistent performance without compromise.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003ePirastro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSKU\u003c\/td\u003e\n\u003ctd\u003e188410\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHardness\u003c\/td\u003e\n\u003ctd\u003eMedium-hard\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColour\u003c\/td\u003e\n\u003ctd\u003eOrange\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMatched string set\u003c\/td\u003e\n\u003ctd\u003ePirastro Gold gut strings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eWarm, even, and balanced.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003ePirastro Gold produces a round, warm tone with a natural, steady grip. It does not pull the sound toward brightness or depth specifically; instead it delivers even tonal coverage that suits a wide range of repertoire and playing contexts. Players who use Pirastro Gold gut strings will find the pairing particularly coherent, but the formula works well with other medium-tension string sets too.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply a few light strokes along the full length of the bow hair before each session.\u003c\/li\u003e\n\u003cli\u003ePairs well with Pirastro Gold gut strings and suits other medium-tension string sets too.\u003c\/li\u003e\n\u003cli\u003eNew bow hair requires several foundation coats over the first few sessions to build consistent grip.\u003c\/li\u003e\n\u003cli\u003eWipe rosin dust from strings and the instrument top after each session.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore in the original box in a cool, dry place away from direct sunlight. Medium-hard rosins are stable across a reasonable temperature range, but prolonged heat will cause softening. The crimped cloth protects the cake; make sure it is in place before storing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan I use Pirastro Gold rosin with synthetic-core strings?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eYes. While it was developed for gut strings, its medium-hard, balanced formula works well with most synthetic-core string sets too. It is a dependable all-purpose rosin that suits a wide range of players.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA few light strokes before each session is typically enough. Over-application causes a heavy, dusty response. Start light and add more only if the bow feels unresponsive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin is stable for many years when stored properly. If the cake becomes glassy or brittle and produces no powder, replace it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan rosin cause allergic reactions?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eColophony, the resin base in most rosin, can irritate sensitive players. Wipe rosin dust from the instrument after each session to reduce exposure. For a hypoallergenic option, see the Mabsa Honey formula.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Default Title","offer_id":47213490110631,"sku":"188410","price":29.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/51586.webp?v=1762247899"},{"product_id":"pirastro-rosin-cello-cellisto","title":"Pirastro Rosin - Piranito","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003ePirastro Rosin\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eBuilt to last.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eReliable grip for steel strings.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eAn economically priced oblong rosin in a plastic case with cloth. Designed for steel strings, durable in everyday use, and a practical choice for regular players.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eStraightforward rosin that does the job.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003ePirastro Piranito Rosin is a sturdy, oblong cake in a plastic case with cloth, designed specifically for steel-string instruments. It is an economically priced option that prioritises consistency and durability over specialist refinement. The formula delivers reliable grip on steel strings and holds up well to regular, heavy use. For players who need a dependable everyday rosin without paying a premium, Piranito delivers exactly that.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003ePirastro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSKU\u003c\/td\u003e\n\u003ctd\u003e188910\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShape\u003c\/td\u003e\n\u003ctd\u003eOblong\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePackaging\u003c\/td\u003e\n\u003ctd\u003ePlastic case with cloth\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eString compatibility\u003c\/td\u003e\n\u003ctd\u003eSteel strings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eConsistent grip, clear tone.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003ePiranito produces a clean, consistent grip on steel strings with a clear, even tone. It does not add warmth or brightness beyond what the strings themselves produce; instead it simply gives the bow reliable traction for everyday playing. It is well-suited to repetitive practice and players who go through rosin quickly and want a cost-effective option that performs consistently.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply a few strokes to the bow hair before each practice session. Steel strings generally tolerate a slightly heavier application than gut or synthetic-core strings.\u003c\/li\u003e\n\u003cli\u003eNew bow hair needs several coats over the first few sessions to build a foundation layer before gripping properly.\u003c\/li\u003e\n\u003cli\u003eWipe rosin dust from the strings and instrument top after each session to keep the sound clean.\u003c\/li\u003e\n\u003cli\u003eThe plastic case protects the cake between sessions; replace the lid fully to avoid cracking from accidental knocks.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore the rosin in its plastic case in a cool, dry place. The oblong shape and hard formula make it more resistant to cracking than softer rosins, but keep it away from direct heat which will soften it over time. The case can also be cleaned of rosin dust build-up by wiping with a dry cloth.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eIs Piranito only for steel strings?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eIt was designed for steel strings and performs best with them. Its formula is firmer than rosins made for synthetic or gut strings, which suits the harder, less elastic surface of steel. It can be used with other string types but may feel grippier than expected.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA few strokes before each session is usually enough. Steel strings are less sensitive to over-application than other string types, but it is still worth applying lightly and adding more only if the bow feels unresponsive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin lasts for years when stored correctly. If the cake becomes glassy or stops producing dust on the bow, replace it. Piranito's hard formula gives it good longevity in normal conditions.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan rosin cause allergic reactions?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eMost rosin contains colophony. Wipe rosin dust from strings and the instrument after playing to reduce exposure. For a hypoallergenic option, see the Mabsa Honey formula.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Default Title","offer_id":47213498990759,"sku":"188910","price":21.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/51582.webp?v=1762248228"},{"product_id":"w-e-hill-son-violin-rosin-dark","title":"W.E. Hill \u0026 Son Violin Rosin – Dark","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eW.E. Hill and Son\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eDeep grip, rich bass.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eThe dark grade from Hill.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eSmall dark rosin on cloth with elastic loop tie, 20g. The darker of Hill's two grades, giving a richer grip and fuller sound in the lower register.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eA century of English rosin-making.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eW.E. Hill and Son has been making rosin in England for well over a hundred years. The Dark grade is the richer of their two violin rosins: a small, round cake on cloth with an elastic loop tie, 20g in weight. It produces more grip than the Light grade, with a fuller presence in the lower registers. Players who prefer a sound with body and depth, or who play in conditions where the bow needs more purchase on the string, will find the Dark grade meets that need directly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eW.E. Hill and Son\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSKU\u003c\/td\u003e\n\u003ctd\u003e5036678003338\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGrade\u003c\/td\u003e\n\u003ctd\u003eDark\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e20g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShape\u003c\/td\u003e\n\u003ctd\u003eRound\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eRich, full, and warm.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eHill Dark produces a rich, full tone with good grip and a warm presence in the lower strings. It has more body than the Light grade without being harsh or over-gripping. It suits players who want a darker, more resonant sound, chamber players who value depth of tone in the lower register, and anyone playing in cooler conditions where a lower-traction rosin would leave the bow feeling slippery.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply with slow, even strokes along the full length of the bow hair before playing.\u003c\/li\u003e\n\u003cli\u003eDark rosin deposits more quickly than light rosin. Use a lighter hand than you might with a harder formula.\u003c\/li\u003e\n\u003cli\u003eNew bow hair needs several coats across the first few sessions before it grips evenly.\u003c\/li\u003e\n\u003cli\u003eWipe rosin dust from strings and the instrument top after each session.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore in a cool, dry place away from direct sunlight. The cloth wrap and elastic tie keep the cake protected; make sure the tie is back in place before storing. Dark rosins are slightly more susceptible to softening in heat than light rosins, so avoid leaving it in a warm car or case in direct sun.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat is the difference between Hill Dark and Hill Light?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eDark gives more grip and a fuller, warmer sound. Light gives a cleaner, brighter contact and suits players who prefer less traction. Both are small round cakes at 20g. Choose Dark if you want more body; choose Light if you want more clarity and ease of bow control.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA few light strokes before each session. Dark rosin deposits more readily than light grades, so err on the lighter side to avoid over-application, which produces a heavy, sticky bow response.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin lasts for years when stored well. If the cake becomes glassy or produces no dust on the bow, it is time to replace it. The 20g size of Hill rosin means it lasts a long time with regular use.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan rosin cause allergic reactions?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eMost rosin contains colophony, which can irritate some players. Wipe rosin dust from the instrument after each session to minimise exposure. For a gentler alternative, see the Mabsa Honey formula.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"W. E Hill and Sons","offers":[{"title":"Default Title","offer_id":47213501677735,"sku":"5036678003338","price":34.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/51592.webp?v=1762248424"},{"product_id":"w-e-hill-son-violin-rosin-light","title":"W.E. Hill \u0026 Son Violin Rosin – Light","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eW.E. Hill and Son\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eClean clarity, bright tone.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eThe light grade from Hill.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eSmall light rosin on cloth with elastic loop tie, 20g. The lighter of Hill's two grades, giving a cleaner bow response and a brighter, more transparent sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eEngland's lighter rosin, for clarity and control.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eW.E. Hill and Son Light is the brighter of the two Hill violin rosins. A small round cake on cloth with an elastic loop tie, 20g. It produces less grip than the Dark grade, which translates into a cleaner, faster bow response with a more transparent sound. Players who favour control and clarity over body and warmth, soloists who want the string to speak quickly and cleanly, and players in warmer climates where a lighter grip is needed will find the Light grade serves them well.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eW.E. Hill and Son\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSKU\u003c\/td\u003e\n\u003ctd\u003e5036678003345\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGrade\u003c\/td\u003e\n\u003ctd\u003eLight\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e20g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShape\u003c\/td\u003e\n\u003ctd\u003eRound\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eBright, clean, and responsive.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eHill Light produces a bright, transparent tone with a clean bow-string contact. The lower traction gives the bow more freedom, which suits fast passage work, light spiccato, and any playing style where the bow needs to respond quickly without dragging. It is the choice for soloists and players who want the string to speak immediately and cleanly without additional warmth or weight in the sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply with slow, even strokes along the full length of the bow hair before playing.\u003c\/li\u003e\n\u003cli\u003eLight rosin deposits more slowly than dark. You may need a few more strokes than with darker grades to achieve even coverage.\u003c\/li\u003e\n\u003cli\u003eNew bow hair benefits from several coats across the first few sessions to build a foundation layer.\u003c\/li\u003e\n\u003cli\u003eWipe rosin dust from strings and the instrument top after each session.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore in a cool, dry place away from direct sunlight. The cloth and elastic tie keep the cake protected between sessions. Light rosins are harder than dark grades and hold their shape well, but sharp knocks can still crack the cake. Keep the tie secured around the cloth when not in use.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat is the difference between Hill Light and Hill Dark?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eLight gives a cleaner, brighter contact and suits players who want less traction and faster bow response. Dark gives more grip and a fuller, warmer sound. Both are small round cakes at 20g. Choose Light for clarity and control; choose Dark for body and warmth.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply rosin?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eLight rosin deposits more slowly than dark, so you may need slightly more strokes before each session to get even coverage. A few strokes is still the starting point; add more only if the bow feels unresponsive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin lasts for years when stored well. Light rosins are harder than dark grades and tend to be more durable. If the cake becomes glassy or produces no dust on the bow, it is time to replace it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan rosin cause allergic reactions?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eMost rosin contains colophony, which can irritate some players. Wipe rosin dust from the instrument after each session to minimise exposure. For a gentler alternative, see the Mabsa Honey formula.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"W. E Hill and Sons","offers":[{"title":"Default Title","offer_id":47213502103719,"sku":"5036678003345","price":34.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/51590.webp?v=1762248512"},{"product_id":"pirastro-korfker-spring-chinrest-for-violin-and-viola","title":"Pirastro Korfker Spring Chinrest for Violin and Viola","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003ePirastro KorfkerSpring Chinrest\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eA chinrest with a spring system.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003e15 grams, free movement, free sound.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eThe first chinrest to use Pirastro's patented spring system. At 15 grams of tone-optimised material, it adjusts from 25 to 50 mm in height and gives the player genuine upper-body freedom during playing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eErgonomics and acoustics in one chinrest.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe Pirastro KorfkerSpring Chinrest responds to two player demands: the need for ergonomic tools that allow free, balanced movement, and the need for accessories that let the instrument sound at its best. The patented spring system allows the chin plate to be adjusted along three axes, including height from 25 to 50 mm in 5 mm steps via six included springs. The chin plate is shaped from hardened Swiss maple, and the entire rest weighs just 15 grams. It can be mounted in the centre or at the side, and fits violin from 3\/4 to 4\/4 and viola. An included high-end protection case keeps it safe between uses.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003ePirastro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003eKorfkerSpring Chinrest\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChin plate material\u003c\/td\u003e\n\u003ctd\u003eHardened Swiss maple\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e15 grams\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeight range\u003c\/td\u003e\n\u003ctd\u003e25 to 50 mm, adjustable in 5 mm steps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSprings included\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMounting\u003c\/td\u003e\n\u003ctd\u003eCentre or side\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin (3\/4 to 4\/4) and viola\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIncludes\u003c\/td\u003e\n\u003ctd\u003eHigh-end protection case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eComfort profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eMovement freedom, acoustic fidelity.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe spring system is designed to enable free movement and support upper-body tension release. The chin plate can be adjusted along three axes: position along the mounting slot, height in 5 mm increments, and rotation and tilt. This level of personalisation is well beyond what conventional chinrests offer. Players who have struggled with neck tension, limited head rotation, or discomfort from a fixed chinrest consistently report greater physical freedom with the KorfkerSpring. The ultra-light construction minimises acoustic damping, improving sound projection.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eSetting up the spring system.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eRead the instruction manual before fitting. The spring system has more adjustable elements than a standard chinrest and rewards careful initial setup.\u003c\/li\u003e\n\u003cli\u003eSelect the spring height by choosing from the six included springs to set your preferred height between 25 and 50 mm.\u003c\/li\u003e\n\u003cli\u003eAdjust the position of the chin plate along the mounting slot, then set rotation and tilt to suit your playing posture.\u003c\/li\u003e\n\u003cli\u003eChoose centre or side mounting depending on your preference. Both options are supported by the design.\u003c\/li\u003e\n\u003cli\u003eStore in the included protection case when the rest is removed from the instrument.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eProtecting the maple and hardware.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eWipe the maple chin plate with a dry cloth. Avoid liquid cleaners on the wood or varnish. The metal hardware and spring components require no routine maintenance, but check that all adjustment points remain secure before each playing session. Store in the included protection case when not in use to protect the precision components.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat instrument sizes does this fit?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe KorfkerSpring Chinrest fits violin from 3\/4 to 4\/4 and viola. It can be mounted at the centre or side of the instrument.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow does the height adjustment work?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eSix springs are included, each providing a different height setting. You select the spring that gives you your preferred height between 25 and 50 mm, adjustable in 5 mm increments. Swapping springs takes only a few minutes and requires no special tools beyond those included.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eIs the maple chin plate suitable for players with skin sensitivities?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe chin plate is shaped from hardened Swiss maple with a tone-neutral finish. Maple is generally well tolerated, but players with specific wood finishes or material sensitivities should check the full materials specification. The rest uses minimal metal contact with the instrument body, which may be relevant for players with metal sensitivities at the standard clamp area.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow is this different from a standard chinrest?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA standard chinrest is fixed in shape and height, adjusted only by the position of the clamp. The KorfkerSpring adds a patented spring mechanism that allows height adjustment in 5 mm steps, plus three-axis movement of the chin plate. This means the rest adapts to the player rather than requiring the player to adapt to the rest. At 15 grams it is also significantly lighter than most standard chinrests.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Pirastro","offers":[{"title":"Default Title","offer_id":48035617865895,"sku":null,"price":1250.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/PirastroKorfkerSpringChinrest7.jpg?v=1772755505"},{"product_id":"wittner-violin-tailpiece-ultralight","title":"Wittner Violin Tailpiece Ultralight","description":"\u003cdiv style=\"background-color:#FAF8F4;color:#1F1D1A;font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;max-width:860px;margin:0 auto;padding:48px 24px;line-height:1.65;\"\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv style=\"border-bottom:1px solid #E5DDD0;padding-bottom:48px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eSetup • Tailpiece\u003c\/p\u003e\n    \u003ch1 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:48px;font-weight:400;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 12px;line-height:1.15;\"\u003eWittner \u003cspan style=\"font-style:italic;color:#6E5B3E;\"\u003eViolin Tailpiece Ultralight\u003c\/span\u003e\n\u003c\/h1\u003e\n    \u003cp style=\"font-size:18px;color:#6B655C;margin:0 0 24px;max-width:600px;\"\u003eMade in Germany from high-tech composite material. Four built-in fine tuners. Adjustable nylon tailgut included. Available in 4\/4, 3\/4, 1\/2, and 1\/4. The dependable workshop-standard tailpiece for student and intermediate violins.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHAT IT IS --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhat It Is\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eClassic form, engineered weight\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eThe Wittner Ultralight is a high-tech composite tailpiece that keeps the visual lines of a traditional violin tailpiece while engineering out the excess weight. The \"Ultra\" composite material is denser than standard plastics used on budget instruments but significantly lighter than ebony or boxwood, reducing the load on the tailgut and allowing the instrument top to vibrate more freely.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eFour built-in fine tuners are integrated into the design rather than added on as separate adjusters. This keeps the profile clean and eliminates the risk of separate tuner screws working loose. For student violins, where precise tuning by ear is still developing, four fine tuners make every practice session easier for both student and teacher.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eWittner has been making tailpieces and fine tuners in Germany for decades and is the standard workshop recommendation for student and intermediate setups. This tailpiece ships with an adjustable nylon tailgut and is ready to fit.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY SPECS --\u003e\n  \u003cdiv style=\"background-color:#F2EDE4;border-radius:6px;padding:36px 40px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eKey Specs\u003c\/p\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:24px;\"\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eBrand\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eWittner (Germany)\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eMaterial\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e\"Ultra\" composite\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eFine tuners\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e4 built-in\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eTailgut included\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eAdjustable nylon\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eSizes\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e4\/4, 3\/4, 1\/2, 1\/4\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eFitting\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eBest done by a luthier\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHO IT'S FOR --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWho It's For\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eStudents, teachers, workshops\u003c\/h2\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:28px;\"\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eStudents\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eFour built-in fine tuners mean easier, more accurate tuning at every practice and lesson. Reduces lesson time spent correcting tuning.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eTeachers\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eA reliable instrument-side upgrade that simplifies tuning for younger students and reduces interruptions during lessons.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWorkshop fitting\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eOur standard recommendation during violin setup and repair. We fit this routinely at Symphonia Strings.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- HOW TO USE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eFitting\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eA luthier fitting is the right call\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eTailpiece fitting involves removing all four strings, adjusting the tailgut length so the afterlength is correct for the instrument, and re-stringing at full tension. Getting the afterlength right matters for tone and resonance. An incorrectly set tailgut can suppress overtones or create wolf tones on certain notes.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eThe adjustable nylon tailgut that comes with the Ultralight makes accurate fitting easier than traditional gut tailgut, but the process still benefits from experience. We are happy to fit this tailpiece in store. Just bring in your violin.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eOnce fitted, the fine tuners are adjusted by turning the thumb screws after each string is brought close to pitch with the peg. No tools required for ongoing use.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARE + STORAGE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eCare + Longevity\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eLow maintenance\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eWipe down the tailpiece when cleaning the instrument. The fine tuner screws can be cleaned with a dry cloth. If a screw becomes stiff, a tiny amount of petroleum jelly on the thread will help. The composite material does not require any treatment or conditioning.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv style=\"border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 24px;\"\u003eFrequently Asked Questions\u003c\/p\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWhen is it worth upgrading a tailpiece?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eWhen the existing tailpiece is broken, warped, or fitted with heavy metal clip-on tuners that are adding unnecessary weight. Also useful when a student violin came with only one fine tuner on the E string and tuning the lower strings by peg alone has become a frustration in lessons.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eDoes fitting require a luthier, or can I do it at home?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eWe recommend a luthier for correct tailgut adjustment. The nylon tailgut on this model is adjustable, which makes it more forgiving than traditional gut, but getting the afterlength right for your specific instrument requires a bit of knowledge and experience. We fit this in store.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWill changing the tailpiece affect the sound?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003ePotentially yes, in a positive direction. Reducing tailpiece weight allows the instrument top to vibrate with less load, which can improve projection and response. For student instruments that came with heavy fitted tuners, the improvement is often noticeable. Results vary by instrument.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eDo all four fine tuners come included?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eYes. The four fine tuners are integrated into the tailpiece body. No additional hardware is needed. The adjustable nylon tailgut is also included.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWhat sizes are available?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003e4\/4, 3\/4, 1\/2, and 1\/4. Measure your violin or check the label inside the instrument before ordering. If you are unsure, bring the instrument in store and we will advise the right size.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- IN STORE STRIP --\u003e\n  \u003cdiv style=\"background-color:#6E5B3E;border-radius:6px;padding:36px 40px;margin-top:48px;display:flex;align-items:center;justify-content:space-between;flex-wrap:wrap;gap:16px;\"\u003e\n    \u003cdiv\u003e\n      \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#FAF8F4;opacity:0.75;margin:0 0 6px;\"\u003eFitting available\u003c\/p\u003e\n      \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:22px;color:#FAF8F4;margin:0;font-weight:400;\"\u003eWe fit this for you at Symphonia Strings\u003c\/p\u003e\n      \u003cp style=\"font-size:14px;color:#FAF8F4;opacity:0.8;margin:6px 0 0;\"\u003e57-59 Wellington St, Freemans Bay, Auckland\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cspan style=\"font-size:32px;opacity:0.6;\"\u003e🎹\u003c\/span\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Wittner","offers":[{"title":"1\/4","offer_id":50469808079015,"sku":"WIT-VTU-14","price":42.0,"currency_code":"NZD","in_stock":true},{"title":"1\/2","offer_id":50469808111783,"sku":"WIT-VTU-12","price":42.0,"currency_code":"NZD","in_stock":true},{"title":"3\/4","offer_id":50469808144551,"sku":"WIT-VTU-34","price":45.0,"currency_code":"NZD","in_stock":true},{"title":"4\/4","offer_id":50469808177319,"sku":"WIT-VTU-44","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/WittnerUltraViolinTailpiece-2.jpg?v=1780052321"},{"product_id":"black-fingerboard-tape-for-violin-viola-cello-1m","title":"Black Fingerboard Tape for Violin, Viola \u0026 Cello - 1m","description":"\u003cp\u003eBlack Fingering Tape for Violin, Viola \u0026amp; Cello - a simple guide for marking finger positions on the fingerboard. One 1 metre roll is enough for about 10 applications on a violin or viola. Quick to apply and easy to remove, it is an ideal teaching aid for beginner string students learning where to place their fingers.\u003c\/p\u003e","brand":"Symphonia Strings","offers":[{"title":"Default Title","offer_id":50938122043559,"sku":"SS-FINGERTAPE-BLK-1M","price":6.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/Violin_Cello_Tape_Black_1.avif?v=1783268843"},{"product_id":"hidersine-6v-violin-rosin-dark-large","title":"Hidersine 6V Violin Rosin – Dark","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHidersine\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eGrip with room to speak.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eThe 6V deluxe dark.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eA premium dark rosin for violin, large cake, 30g. Firm grip and clear attack, with a slightly softer make-up that leaves space for articulation. Made in England.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eHidersine's deluxe grade.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eHidersine has been making rosin in England since 1890, and the 6V is the grade many players reach for when they want more from a dark formula than sheer stickiness. It follows one of Francis Hider's historic recipes, still hand-mixed and hand-poured. The result sits at Grip Profile Rating 6 on Hidersine's own ten-point scale, so there is plenty of purchase on the string, but the softer body means the bow can still shape a phrase rather than simply dig into it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eHidersine\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003e6V Deluxe\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGrade\u003c\/td\u003e\n\u003ctd\u003eDark \/ Soft\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGrip Profile Rating\u003c\/td\u003e\n\u003ctd\u003eGPR 6 (1 low grip, 10 high grip)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCake size\u003c\/td\u003e\n\u003ctd\u003eLarge\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e30g (approx)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstituents\u003c\/td\u003e\n\u003ctd\u003eColophony, natural waxes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMade in\u003c\/td\u003e\n\u003ctd\u003eEngland\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eManufacture\u003c\/td\u003e\n\u003ctd\u003eHand-mixed, hand-poured\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eRich and articulate.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe 6V gives a warm, well-fed tone with a clean attack at the start of the note. Its balance point is grip against subtlety: enough traction for a firm sound in the lower strings, enough give for detail in fast passagework. It suits players from around Grade 6 upward, and works particularly well in temperate to cooler conditions, where lighter rosins can leave the bow feeling as though it is sliding across the string.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply with slow, even strokes along the full length of the bow hair before playing.\u003c\/li\u003e\n\u003cli\u003eDark rosin transfers readily. Use a lighter hand than you would with a harder, lighter-coloured cake.\u003c\/li\u003e\n\u003cli\u003eNew bow hair needs several coats over the first few sessions before it grips evenly.\u003c\/li\u003e\n\u003cli\u003eWipe rosin dust from the strings and the instrument top after each session.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore in a cool, dry place out of direct sunlight, and keep the cake in its box between sessions. Softer dark rosins are more prone to going tacky in heat than harder formulas, so avoid leaving it in a warm car or in a case sitting in the sun. Handled sensibly, a 30g cake will last a long time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWho is the 6V for?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003ePlayers from around Grade 6 upward who want a dark rosin with real grip but still want to hear detail and colour in the sound. If you have found other dark rosins heavy or sticky, the 6V is worth trying.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat does the Grip Profile Rating mean?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eIt is Hidersine's own scale from 1 to 10, where 1 is low grip and 10 is high. The 6V sits at 6, which is firm without being at the extreme end. It tells you how much the rosin will make the bow hair hold the string.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eHow often should I apply it?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eA few light strokes before each session is usually enough. Because dark rosin deposits more readily, over-application is the common mistake and produces a heavy, sluggish bow response.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin lasts for years when stored well. If the surface goes glassy and stops producing dust on the bow, it is time to replace the cake.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan rosin cause an allergic reaction?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin contains colophony, which irritates some players. Wipe rosin dust from the instrument and strings after each session to reduce exposure. For a gentler alternative, see the Mabsa Honey formula.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Hidersine","offers":[{"title":"Default Title","offer_id":50978702196903,"sku":"6VM","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/Hidersine_6V_Violin_Rosin_-_Dark_2.png?v=1784041566"},{"product_id":"hidersine-3v-violin-rosin-light-medium","title":"Hidersine 3V Violin Rosin – Light (Medium)","description":"\u003cstyle\u003e\n.ab-wrap{font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;color:#1F1D1A;background:#FAF8F4;max-width:960px;margin:0 auto;padding:0 24px}\n.ab-section{padding:80px 0;border-bottom:1px solid #E5DDD0}\n.ab-section:last-child{border-bottom:none}\n.ab-eyebrow{font-size:11px;letter-spacing:5px;text-transform:uppercase;color:#8A7E6B;font-weight:600;margin:0 0 16px}\n.ab-h1{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:64px;font-weight:500;line-height:1.05;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 24px}\n.ab-h2{font-family:'Iowan Old Style','Baskerville',Georgia,'Times New Roman',serif;font-size:38px;font-weight:500;line-height:1.15;color:#1F1D1A;margin:0 0 20px}\n.ab-sub{font-size:18px;line-height:1.65;color:#6B655C;margin:0 0 32px}\n.ab-body{font-size:17px;line-height:1.75;color:#1F1D1A;margin:0 0 20px}\n.ab-table{width:100%;border-collapse:collapse;margin:24px 0}\n.ab-table th{text-align:left;font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;font-weight:600;padding:12px 0;border-bottom:1px solid #E5DDD0}\n.ab-table td{padding:14px 0;border-bottom:1px solid #E5DDD0;font-size:16px;color:#1F1D1A;line-height:1.5}\n.ab-table td:first-child{color:#6B655C;width:40%}\n.ab-list{font-size:17px;line-height:1.75;color:#1F1D1A;padding-left:0;list-style:none;margin:0}\n.ab-list li{padding:10px 0;border-bottom:1px solid #E5DDD0}\n.ab-list li:last-child{border-bottom:none}\n.ab-list li::before{content:'';display:inline-block;width:6px;height:6px;background:#6E5B3E;border-radius:50%;margin-right:12px;vertical-align:middle}\n.ab-faq-item{padding:24px 0;border-bottom:1px solid #E5DDD0}\n.ab-faq-item:last-child{border-bottom:none}\n.ab-faq-q{font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:20px;font-weight:500;color:#1F1D1A;margin:0 0 10px}\n.ab-faq-a{font-size:16px;line-height:1.7;color:#6B655C;margin:0}\n.ab-ital{color:#6E5B3E;font-style:italic}\n@media(max-width:720px){.ab-h1{font-size:42px}.ab-h2{font-size:30px}.ab-section{padding:60px 0}}\n\u003c\/style\u003e\n\u003cdiv class=\"ab-wrap\"\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHidersine\u003c\/p\u003e\n\u003ch1 class=\"ab-h1\"\u003eThe one most players start with.\u003cbr\u003e\u003cspan class=\"ab-ital\"\u003eAnd many never leave.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp class=\"ab-sub\"\u003eA light amber rosin for violin, medium cake, 20g. Clean traction, bright attack, and forgiving enough for a beginner while still giving an advanced player full control. Made in England.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eWhat it is\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eHidersine's standard grade.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe 3V is the medium cake of the rosin that has sat in more violin cases than almost any other. It is the same formula as the larger 1V, made to one of Francis Hider's historic recipes in England, hand-mixed and hand-poured. Its harder, lighter make-up gives good traction on the string without loading the bow with dust, which is why teachers keep recommending it and why professionals keep using it long after they could afford something else.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSpecifications\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eAt a glance.\u003c\/h2\u003e\n\u003ctable class=\"ab-table\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003cth\u003eSpec\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eHidersine\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003e3V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGrade\u003c\/td\u003e\n\u003ctd\u003eLight (amber) \/ Hard\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGrip Profile Rating\u003c\/td\u003e\n\u003ctd\u003eGPR 4 (1 low grip, 10 high grip)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCake size\u003c\/td\u003e\n\u003ctd\u003eMedium\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e20g (approx)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument\u003c\/td\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstituents\u003c\/td\u003e\n\u003ctd\u003eColophony, natural waxes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMade in\u003c\/td\u003e\n\u003ctd\u003eEngland\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eManufacture\u003c\/td\u003e\n\u003ctd\u003eHand-mixed, hand-poured\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eSound profile\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eBright, with a clear attack.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eThe 3V speaks quickly and cleanly at the start of the note. At GPR 4 it sits in the middle of the grip scale: enough purchase for a confident sound, light enough that the bow stays easy to move. Beginners find it forgiving because it does not grab, and advanced players keep it because it lets them shape dynamics from the quietest end of the range to the loudest. It suits temperate to warm conditions, where a softer dark rosin can become tacky.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eHow to use\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eGetting the most from it.\u003c\/h2\u003e\n\u003cul class=\"ab-list\"\u003e\n\u003cli\u003eApply with slow, even strokes along the full length of the bow hair before playing.\u003c\/li\u003e\n\u003cli\u003eHarder rosins take longer to bite on new bow hair. Expect several coats over the first few sessions before it grips evenly.\u003c\/li\u003e\n\u003cli\u003eA few strokes before each session is enough once the hair is coated.\u003c\/li\u003e\n\u003cli\u003eWipe rosin dust from the strings and the instrument top after each session.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eCare and storage\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eKeep it in good condition.\u003c\/h2\u003e\n\u003cp class=\"ab-body\"\u003eStore in a cool, dry place out of direct sunlight, and keep the cake in its box between sessions. Hard rosins are less prone to softening in heat than dark grades, but they will crack if dropped on a hard floor, so handle the cake over the case rather than over tiles. Kept sensibly, a 20g cake lasts a long time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-section\"\u003e\n\u003cp class=\"ab-eyebrow\"\u003eQuestions\u003c\/p\u003e\n\u003ch2 class=\"ab-h2\"\u003eCommon questions.\u003c\/h2\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eWhat is the difference between the 3V and the 1V?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe formula is the same. The 3V is the medium cake at 20g, the 1V is the large cake. Choose the 3V unless you want the bigger block.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eShould I choose the light 3V or the dark 6V?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eThe 3V is lighter and harder, with a brighter attack and less grip (GPR 4). The 6V is darker and softer, with more grip and a fuller sound in the lower register (GPR 6). Light suits warmer conditions and players who want ease and clarity; dark suits cooler conditions and players who want body and traction.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eIs it suitable for a beginner?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eYes. It is one of the most commonly recommended rosins for students precisely because it is forgiving, and it will not need replacing as the player improves.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eDoes rosin have a shelf life?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin lasts for years when stored well. If the surface goes glassy and stops producing dust on the bow, scratch it lightly with a bit of sandpaper. If that does not help, replace the cake.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"ab-faq-item\"\u003e\n\u003cp class=\"ab-faq-q\"\u003eCan rosin cause an allergic reaction?\u003c\/p\u003e\n\u003cp class=\"ab-faq-a\"\u003eRosin contains colophony, which irritates some players. Wipe rosin dust from the instrument and strings after each session to reduce exposure. For a gentler alternative, see the Mabsa Honey formula.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Hidersine","offers":[{"title":"Default Title","offer_id":50978729590951,"sku":"3VM","price":16.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/Hidersine_3V_Violin_Rosin_-_Light_1.jpg?v=1784042740"},{"product_id":"w-e-hill-and-sons-premium-conservation-wax","title":"W.E. Hill and Sons Premium Conservation Wax","description":"\u003cdiv style=\"background-color:#FAF8F4;color:#1F1D1A;font-family:-apple-system,BlinkMacSystemFont,'Segoe UI','Helvetica Neue',sans-serif;max-width:860px;margin:0 auto;padding:48px 24px;line-height:1.65;\"\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv style=\"border-bottom:1px solid #E5DDD0;padding-bottom:48px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eMaintenance • Instrument Conservation\u003c\/p\u003e\n    \u003ch1 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:48px;font-weight:400;letter-spacing:-0.5px;color:#1F1D1A;margin:0 0 12px;line-height:1.15;\"\u003eW.E. Hill and Sons \u003cspan style=\"font-style:italic;color:#6E5B3E;\"\u003ePremium Conservation Wax\u003c\/span\u003e\n\u003c\/h1\u003e\n    \u003cp style=\"font-size:18px;color:#6B655C;margin:0 0 24px;max-width:600px;\"\u003eA blend of microcrystalline waxes and citrus oils that lifts rosin build-up and gently polishes, with no petrochemical solvents. 50ml resealable tin in a display box. Developed and made in the UK.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHAT IT IS --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhat It Is\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eCleaning without solvents\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eConservation Wax is a newer formulation from W.E. Hill and Sons, developed under Peter Greiner, violin maker and Director of the firm. Where most instrument cleaners rely on petrochemical solvents to cut through rosin, this one uses a blend of microcrystalline waxes and citrus oils instead.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eThe practical difference is that it does two jobs at once. It removes accumulated rosin and grime, and it leaves a protective wax layer behind. It is not abrasive, and it dries perfectly transparent, so it will not cloud or dull a fine varnish.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eGreiner reports using it on instruments by Stradivari and Guarneri as well as his own. It has been through an extensive testing programme, and it is intended for use on the instrument and the bow stick alike.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY SPECS --\u003e\n  \u003cdiv style=\"background-color:#F2EDE4;border-radius:6px;padding:36px 40px;margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 16px;\"\u003eKey Specs\u003c\/p\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:24px;\"\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eBrand\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eW.E. Hill and Sons\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eSize\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003e50ml resealable aluminium tin\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eConstituents\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eMicrocrystalline waxes, citrus oils\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eSolvents\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eNo petrochemical solvents\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eSuitable for\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eViolin, viola, cello, bass, and bows\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n        \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:15px;font-weight:400;color:#6E5B3E;margin:0 0 4px;letter-spacing:-0.3px;\"\u003eMade in\u003c\/p\u003e\n        \u003cp style=\"font-size:15px;color:#1F1D1A;margin:0;\"\u003eUnited Kingdom\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CLEAN CARE CONSERVE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eWhat it does\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eClean, care, conserve\u003c\/h2\u003e\n    \u003cdiv style=\"display:grid;grid-template-columns:1fr 1fr 1fr;gap:24px;\"\u003e\n      \u003cdiv style=\"background-color:#F2EDE4;border-radius:4px;padding:28px 32px;\"\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eClean\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eLifts rosin build-up from the top, shoulders, and the bow stick, without solvents and without abrasion.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv style=\"background-color:#F2EDE4;border-radius:4px;padding:28px 32px;\"\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eCare\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eActs as a gentle polishing agent. Transparent when applied, so the varnish keeps its own colour and depth.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cdiv style=\"background-color:#F2EDE4;border-radius:4px;padding:28px 32px;\"\u003e\n        \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:17px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eConserve\u003c\/h3\u003e\n        \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eLeaves a microcrystalline wax layer that helps protect the surface between cleans.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- HOW TO USE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eHow to Use\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eSmall amount, soft cloth, light pressure\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eTake a small amount from the tin on a soft, lint-free cloth and work it gently over the surface. There is no need to press. The wax does the work, and the citrus oils do the lifting. Buff lightly with a clean, dry section of cloth to finish.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0 0 14px;\"\u003eWipe the instrument down with a dry cloth after every session to remove fresh rosin before it hardens. Reserve the wax for the periodic clean, when rosin has built up on the top and shoulders and a dry cloth will no longer shift it.\u003c\/p\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eReseal the tin after use.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARE + STORAGE --\u003e\n  \u003cdiv style=\"margin-bottom:48px;border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 10px;\"\u003eCare + Storage\u003c\/p\u003e\n    \u003ch2 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:28px;font-weight:400;color:#1F1D1A;margin:0 0 16px;letter-spacing:-0.5px;\"\u003eKeep it cool and sealed\u003c\/h2\u003e\n    \u003cp style=\"font-size:16px;color:#1F1D1A;margin:0;\"\u003eStore at room temperature, out of direct sunlight and away from heat. Reseal the aluminium tin after each use so the wax does not dry out. Because so little is needed per application, a 50ml tin lasts most players a long time.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv style=\"border-top:1px solid #E5DDD0;padding-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#8A7E6B;margin:0 0 24px;\"\u003eFrequently Asked Questions\u003c\/p\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eHow is this different from the Hill Varnish Cleaner?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eThe Varnish Cleaner is the original Hill formula and does one job: it cleans. Conservation Wax is the newer formulation and does three: it cleans, it polishes, and it leaves a protective wax layer. It also contains no petrochemical solvents, and it can be used on the bow stick as well as the instrument body.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWill it change the colour of my varnish?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eNo. It is perfectly transparent when applied, and it is not abrasive. It is designed for use on fine instruments, and Peter Greiner has used it on instruments by Stradivari and Guarneri.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eCan I use it on the bow?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eIt is formulated for stringed instruments and bows, so the stick is fine. Keep it away from the bow hair, which should never have any product applied to it, and away from the grip and the frog winding.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"margin-bottom:28px;border-bottom:1px solid #E5DDD0;padding-bottom:28px;\"\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eHow often should I use it?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eOnce or twice a month suits most players. A dry cloth after each session handles the day-to-day rosin; the wax is for the periodic clean and the protective layer it leaves behind.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n      \u003ch3 style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:18px;font-weight:400;color:#1F1D1A;margin:0 0 8px;\"\u003eWill it repair scratches or damaged varnish?\u003c\/h3\u003e\n      \u003cp style=\"font-size:15px;color:#6B655C;margin:0;\"\u003eNo. It cleans and protects, but it is not a filler or a restorative. Scratches, chips, and open seams need a luthier. Applying more wax to a damaged area will not help.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- IN STORE STRIP --\u003e\n  \u003cdiv style=\"background-color:#6E5B3E;border-radius:6px;padding:36px 40px;margin-top:48px;\"\u003e\n    \u003cp style=\"font-size:11px;letter-spacing:4px;text-transform:uppercase;color:#FAF8F4;opacity:0.75;margin:0 0 6px;\"\u003eIn store\u003c\/p\u003e\n    \u003cp style=\"font-family:'Iowan Old Style','Baskerville',Georgia,serif;font-size:22px;color:#FAF8F4;margin:0;font-weight:400;\"\u003eWe stock this alongside our microfibre cloths at Symphonia Strings\u003c\/p\u003e\n    \u003cp style=\"font-size:14px;color:#FAF8F4;opacity:0.8;margin:6px 0 0;\"\u003e57-59 Wellington St, Freemans Bay, Auckland\u003c\/p\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"W. E Hill and Sons","offers":[{"title":"Default Title","offer_id":50978757869735,"sku":"51096","price":67.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/files\/W.E.Hill-Sons-Conservation-Wax-scaled.jpg?v=1784042939"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/2432\/4007\/collections\/1_Schaubild_Rest-d529deed0b9faf381223f7daaa645b42_b48b8f59-c3f9-402e-8a25-002be4f35eec.jpg?v=1732964514","url":"https:\/\/symphoniamusic.co.nz\/collections\/violin-accessories.oembed?page=2","provider":"Symphonia Music","version":"1.0","type":"link"}